Profile KDT5100 Fixed-Height Piano Bench – Black
KDT5100
Make long practice sessions more enjoyable with Profile’s KDT5100 fixed-height piano bench. Its cushioned vinyl offers added comfort and the metal legs make far a secure, sturdy seat.
Features:
- Seat material: Vinyl
- Leg/frame type: Metal
- Music compartment: No
- Adjustable height: No
- Colour: Black
- Dimensions: 46 x 31 x 49 cm
Manhasset MA2800 Accessory Box with Hanger
his Accessory Box will finally allow musicians to have the music stand storage they have needed. The box dimensions are 10 inches long by 6 inches wide and it has a box depth of 2-1/2 inches – so it will hold all the supplies and accessories (such as pencils, valve oil, mouth pieces, rosin, cleaning supplies, reeds, and you name it) you have to have – and at a “no-reach required” convenient location, right below the music stand desk. In addition it has a built-in holder for your water bottle or cup, as well. The unit’s hanger is designed to fit on any Manhasset music stand and provide a securely fitting container unequalled in accessibility and convenience. This Accessory Box unit can be installed in an instant and removed just as easily.
Manhasset M4801 Black Symphony Music Stand
Perfect for orchestras, school bands, and individual musicians that demand high quality and durability. This is our most popular music stand. The Manhasset Symphony Stand is used by more schools than all other music stands combined. Our Symphony Stand desk is 20″ wide x 12 1/2″ high with a 2 1/4″ lip. The height of this music stand varies infinitely from 26″ to 48″ (lip to floor), with a maximum overall height of 60 1/2 inches.
Manhasset M4801-ORG- Orange Symphony Music Stand
DESCRIPTION
Manhasset 48 Standard Symphony, Single Music Stand, Boxed, Orange Finish, Manhasset Item 4801-ORG.
Perfect for orchestras, school bands, and individual musicians that demand high quality and durability.
• Manhasset’s most popular music stand
• Stand desk: 20″ wide x 12-1/2″ high with a 2-1/4″ lip
• Height varies infinitely from 26″ to 48″ (lip to floor), with a maximum overall height of 60-1/2″
Thomastik-Infeld AL03-3/4 Alphayue Monel Wound Synthetic Core 3/4 Violin String – D (Medium)
Alphayue Violin 3/4 – From Thomastik, the E string is steel core/tin plated, the A string is synthetic core with aluminium winding and D and G strings are synthetic core with monel winding. Combining an unbeatable price with Thomastik-Infeld quality means you no longer have to settle for solid-steel strings to assure durability. Their advanced synthetic core delivers a rich, colourful sound impossible to achieve with solid steel core strings. They live a long life and are unaffected by temperature and humidity changes. Alphayue stay in tune and have a forgiving nature. They will improve the sound of the most basic student instruments while giving the player instant response, supple playability and a colourful tone. Alphayue’s make practicing more fun and music-making a pleasure!
Profile PDH-100 Mountable Beverage Holder
Description
Clamps to desktops, counter tops and music/instrument stands.
Clamps to desktops, counter tops and music/instrument stands.
Easily adjusts or rotates to any angle.
Ideal for studio and concert use.
Height: 125mm for bottles or cups max Ø 88mm.
Desktop assembly bracket included
Travel mug and instrument stand sold separate
Dunlop JHW1 AUTHENTIC HENDRIX™ ’69 PSYCH SERIES FUZZ FACE® DISTORTION
Jimi Hendrix was a pioneer on the frontier of fuzz, experimenting with numerous flavors and shades throughout his career to imbue his riffs and leads with just the right attitude and texture. The Fuzz Face Distortion, in all of its incarnations, was the fuzz pedal that he used more than any other. The Authentic Hendrix ’69 Psych Series Fuzz Face Distortion captures two different flavors of Jimi Hendrix fuzz tones in a single mini housing with all the appointments today’s players demand. In its default mode, this pedal discharges the aggressive silicon-based crunch that that Jimi Hendrix used in the latter part of his career. Hitting the SI/GE switch engages the warm, smooth saturation of germanium-based fuzz that he used in the early years. This pedal also uses buffered bypassing by default, allowing for a greater range of tones and full cooperation with wah pedals such as the Jimi Hendrix Cry Baby Wah. The tonal purists out there will be happy to know that a Buffer switch allows for true bypass switching. It all comes in an MXR mini housing dressed in the trippy, kaleidoscopic designs of award-winning UK-based design crüe ILOVEDUST.
Dunlop JHW4 AUTHENTIC HENDRIX™ ’69 PSYCH SERIES BAND OF GYPSYS® FUZZ
The Jimi Hendrix Band of Gypsys Fuzz is based on a mysterious Fuzz Face Distortion that Jimi Hendrix used at several iconic shows between 1969 and 1970, most notably the Band of Gypsys performance. Red with white knobs, this particular fuzz sounded like a completely different animal from any of the other Fuzz Face pedals in his arsenal, snarling with an aggressive, biting tone. The pedal itself has been lost to history, but its unmistakably unique sound lives on in recordings. Our engineers narrowed the sound down to a version of the Octavio® circuit that didn’t have that pedal’s famous octave-up effect.
Dunlop JHW2 AUTHENTIC HENDRIX™ ’69 PSYCH SERIES OCTAVIO® FUZZ
The Authentic Hendrix ’69 Psych Series Octavio Fuzz updates the circuitry of the original cheese wedge Octavio Fuzz for modern players and pedalboards. In its default mode, this pedal snarls with super aggressive silicon saturation. Pushing the Octave switch kicks in the classic octave up fuzz sound so potently demonstrated on tracks such as “One Rainy Wish” and “Purple Haze.” Both modes deliver a range touch-sensitive fuzz tones that will inspire you to venture into uncharted sonic territory just as the incomparable Jimi Hendrix did when he used the Octavio Fuzz to make history. This modern rendering of a classic one-of-a-kind effect comes in an MXR mini housing dressed in the trippy, kaleidoscopic designs of award-winning UK-based design crüe ILOVEDUST.
Dunlop JHW3 AUTHENTIC HENDRIX™ ’69 PSYCH SERIES UNI-VIBE® CHORUS/VIBRATO
The thick wash of Uni-Vibe® Chorus/Vibrato that permeates the landmark Band of Gypsys™ album is undeniably some of the most transcendent tone ever recorded. With that pedal’s chorusy, Leslie-sounding goodness, Jimi Hendrix was able to summon startlingly rich textures that sound as if you can actually spoon them out of the speakers. This pedal delivers those classic tones in all of their stunning analog glory at a fraction of the size of the vintage Shin-ei unit that Hendrix used from 1969 to 1970. Now available in an MXR mini housing emblazoned with the trippy, kaleidoscopic designs of award-winning UK-based design crüe ILOVEDUST, the Uni-Vibe Chorus/Vibrato looks better than ever and takes up way less space on your pedalboard.
GraphTech PQ-6234-00 Tusq Slotted Nut 1-5/8
Consistent quality
Increased harmonic content
Ivory white in color
Precision slotted
1.751″ (Length)
0.248″ (Width)
0.336″ (Height)
1.481″ (E to E)
Line 6 ToneCore Verbzilla Reverb Pedal (CI)
- The Line 6 ToneCore Verbzilla reverb effect pedal creates luscious, studio-grade algorithms– from classic guitar amp-style spring reverb to dreamy, high-end studio favorites. Tone, Mix, Decay, and Time controls help you find the exact effect you want, and the Trails on/off switch allows the ToneCore reverb to decay or cut off once you hit bypass. The ToneCore Verbzilla has a huge array of reverb models including ’63 Spring, Spring, Plate, Room, Hall, Chamber, Ducking, Octo (a Line 6 exclusive), Cave, Tile, and Echo.
- Vintage and Modern Pro Reverb Tone
- Studio Quality Algorithms
- 11 Amazing Sounding Models
- Stereo inputs and outputs
- Rugged metal construction
Focusrite CLARETT-4PRE-USB Clarett USB 18×6 USB Audio Interface
Clarett 4Pre gives you everything you need to adapt your setup and capture incredible sound in any space. Up to two instrument, four mic or eight line inputs, plus ADAT expandability, mean you have more than enough I/O to record your whole band however you want.
- Four Clarett mic pres, the finest we build into a USB audio interface, for capturing stunning-quality audio effortlessly
- Air mode with impedance switching, for giving new colour to your mics and adding high-end detail
- Class-leading 118dB dynamic range, for capturing and playing-back every detail of your sounds, recordings and mixes
- ADAT expandability, for adapting your channel count to bigger recording sessions
THE STUDIO IS WHEREVER YOU ARE
Clarett 4Pre has all the I/O you need to get the band together; with four mic/line inputs, two of which double as instrument inputs, and four fixed line inputs. Then, you have four balanced line outputs plus two independent headphone outputs to monitor, mix and play back however you want, and all in incredible quality.
