Sire M7-6-TBL Bass Guitar – 6 string – Blue Satin
The Sire M7 6-String guarantees a wide range of more balanced tone from its modern and Marcus Miller- preferred electronics and hardware, stability from its 5-piece neck and playing convenience from the rest of the signature features it’s charged with.
EDGELESS FOR YOUR COMFORT
The fretboard edges of this guitar are meticulously rolled and smoothed to give you an upgraded neck feel and enhance your overall playing experience.
THE MODERN BASS BODY, C-SHAPED NECK & ROSEWOOD FINGERBOARD
Contemporary bass shape made of North American Alder to express the fine-tuned quality build and sound; topped with solid Flamed Maple for a luxurios finish.
It has a 5-piece Maple/Mahoganey neck, essential to compliment the highly tensioned strings in a 6-string bass with a Rosewood fingerboard.
MARCUS MILLER PURE-H REVOLUTION PICKUP
Pure and advanced pickup set with individual setting options (single, humbucker and series-parallel) separating the noise to bring out the powerful bass sound.
MARCUS MILLER HERITAGE-3 PREAMP
Composed of a 3-band EQ and a switch allowing you to have complete tonal control from the active or passive modes.
SPECIFICATIONS:
BODY: Alder & Maple
NECK: 5 piece Mahogany/Maple
NECK SHAPE: C-Shape
SCALE: 35″
FINGERBOARD: Rosewood, Edgeless(TM) Rolled Fretboard Edges
FINGERBOARD RADIUS: 12
FRETS: 24 Medium
NUT: Bone
INLAY: White Pearl Dot
PICKUPS: Marcus Pure-H Revolution Set
PREAMP: Marcus Miller Heritage-3 w/Middle Frequency Control
CONTROLS: Volume/Tone (Dual Pot), Pickup Blender, Treble, Middle/Mid Frequency (Dual Pot), Bass
Mini Toggle (Active & Passive), 2 Mini Toggles (Pickup-Series/Slit/Parallel)
BRIDGE: Marcus Miller Heavy Mass Custom
TUNING GEAR: Sire Diecasting Gear
HARDWARE FINISH: Black
KNOBS: Modern Black Aluminum
Variations: 6 String
Body: Alder (Rosewood)
Colors: Transparent Blue (TBL)
https://youtu.be/6zaaBnVK8Ek
Sire V7-VINALDER-4-2NDGEN-AWH Marcus Miller V7 Vintage 4-String Bass Alder 2nd Generation, Antique White
What sets the V7 Vintage apart is that it is innovatively set up to sound like the original 70’s bass preferred by Marcus Miller. Its construction makes it bring out much more plush characteristics, especially from the formvar pickup known to be “vintage correct”. Its neck comes with custom Rolled Fretboard Edges that make a huge difference in the overall feel. Combined with the hardware and electronics consist of Marcus’ signature Vintage-J Revolution pickup set, Marcus Miller Heritage-3 preamp and the Marcus Vintage-S bridge. Rolled Fretboard Edges. The select wood, either Swamp Ash, and North American Alder and the 1-piece hard maple neck make the best combination to preserve the classic quality sound with a more natural vibration.
Body Material: North American Alder / Swamp Ash
Body Shape: New Marcus Miller Jazz Type
Body Color: Alder Body – TS, AWH, BK, BMR | Ash Body – NT, TS, WB, BMR
Pickups: Marcus Vintage-J Revolution Set
Preamp: Marcus Heritage- 3 with Middle Frequency Control
Controls: Volume / Tone (Dual Pot) | Pickup Blender | Treble | Middle / Middle Frequency (Dual Pot) | Bass, Mini Toggle (Active / Passive)
Neck Material: Hard Maple(Gloss Finish)
Neck Shape: C-Shape
Scale: 34″
Neck Joint: Four Bolt Steel Square Plate
Fingerboard(Rolled Edges): Hard Maple
Fingerboard Radius: 7.25″
Frets: 2.0 Small
String Nut: 4 String – Natural Bone 38mm width / 5 String – Natural Bone 46mm width
Binding: 1 Ply Black
Inlay: Black Block
Knobs: Plastic Jazz Type in Black
Bridge: Marcus Miller Vintage-S
Tuning Gear: Premium Open-Gear
Hardware Finish: Chrome
Pick guard: 3 Ply Black / White / Black
Thomastik-Infeld S25 Spirocore Cello A String
ALPHAYUE – VIOLIN
Available Sizes:
4/4, 3/4, 1/2, 1/4, 1/8, 1/16
Available Gauges:
medium
Thomastik-Infeld AL41 Alphayue Cello A String 4/4
ALPHAYUE – VIOLIN
Available Sizes:
4/4, 3/4, 1/2, 1/4, 1/8, 1/16
Available Gauges:
medium
Thomastik-Infeld S31 Spirocore Cello String Set
ALPHAYUE – VIOLIN
Available Sizes:
4/4, 3/4, 1/2, 1/4, 1/8, 1/16
Available Gauges:
medium
Thomastik-Infeld AL400 Alphayue Cello String 4/4
ALPHAYUE – VIOLIN
Available Sizes:
4/4, 3/4, 1/2, 1/4, 1/8, 1/16
Available Gauges:
medium
Cool UT ‘Ultra’ Cool Triangle Pick-Single
As a dynamic microphone, the MV-3 is especially suited for broadcasting, webcasting and recording. It has a smooth and wide frequency response, and the pickup is clear and delicate. The cardioid polar pattern suppresses feedback and isolates the desired sound. It also includes 200Hz low cut and mid-high frequency boost switches, which can improve the sound clarity and presence. Dynamic microphones also record vocals very well, with a bit more of an intimate close up sound. A nice change from the typical large diaphragm condensers usually used. Microphones similar in design have also become the latest rage for live vocal microphones. MV-3 definitely looks the part.
MV-3 is made of a durable metal alloy, increasing durability. This coupled with a proprietary anti-shock device virtually eliminates all mechanical vibration and hand-held noise An integrated windscreen/pop filter is placed outside the grill, effectively filtering out peak noises.
- Dynamic Broadcast Microphone
- Polar Pattern: Cardioid
- Frequency Response: 50Hz-16KHz
- Sensitivity: -58dB(0dB=1V/Pa at 1KHz)
- Impedance: 200Ω（at 1KHz）
- Low Cut Filter: 200 Hz
- Weight 1lb 12 oz
https://youtu.be/4q66pDCSxMA
Evans S14R50 Clear 500 Snare Side Head – 14”
Evans snare side clear 500 heads feature a single ply of 5mil film and are designed to produce a dark, throaty sound that is best suited for deep drums or heavy rock performances. Evans Level 360 technology is incorporated to extend the level playing surface of the drumhead, 360 degrees around the drum. The vertically enhanced collar design guarantees even contact with the critical bearing edge of the drum shell, resulting in: ease of tuning, extended pitch range and optimum quality of sound. Evans Level 360 technology resolves the age-old dilemma of traditional synthetic heads consistently not fitting the drum shell without using considerable force.
– 14 glass (clear) snare resonant drum head made using a single ply of 5mil film
– 5mil head offers great snare response at high dynamic levels
– Best suited for deep drums or heavy rock performances
– Also available in 13
– All Evans drum heads are designed, engineered and manufactured in the USA
Cool COOLJTR-T Juratex Pick Triangle Shape w/Sand Grip-Single
As a dynamic microphone, the MV-3 is especially suited for broadcasting, webcasting and recording. It has a smooth and wide frequency response, and the pickup is clear and delicate. The cardioid polar pattern suppresses feedback and isolates the desired sound. It also includes 200Hz low cut and mid-high frequency boost switches, which can improve the sound clarity and presence. Dynamic microphones also record vocals very well, with a bit more of an intimate close up sound. A nice change from the typical large diaphragm condensers usually used. Microphones similar in design have also become the latest rage for live vocal microphones. MV-3 definitely looks the part.
MV-3 is made of a durable metal alloy, increasing durability. This coupled with a proprietary anti-shock device virtually eliminates all mechanical vibration and hand-held noise An integrated windscreen/pop filter is placed outside the grill, effectively filtering out peak noises.
- Dynamic Broadcast Microphone
- Polar Pattern: Cardioid
- Frequency Response: 50Hz-16KHz
- Sensitivity: -58dB(0dB=1V/Pa at 1KHz)
- Impedance: 200Ω（at 1KHz）
- Low Cut Filter: 200 Hz
- Weight 1lb 12 oz
https://youtu.be/4q66pDCSxMA
Laney BCC-SPIRAL Black Country Customs Spiral Array Chorus Pedal
https://youtu.be/K_THCn2bJ5Y
https://youtu.be/xtC6rImobiU
https://youtu.be/QR6JLraUN0o
DETAILS
Heavily compressed distortion/Overdrive Distortion/Soft compressed distortion modes
It is important that when you activate an effect there is no switching noise. So, we take great care in designing a switching system that is totally silent in operation. The only thing you should here is a great sounding product.
Tri coloured LED’s are more expensive than regular single colour LED’s, but we feel they are worth the investment. Where you have a pedal that has multiple modes on a dark stage a tri colour LED gives you a clear visual reference to which mode your pedal is running in.
KEY FEATURES
Low battery consumption
Solid metal chassis construction
3 modes based on classic sounds
Excellent consistent load for passive Volume pedals