Godin 052349 Stadium Pro Ozark Cream MN with Bag
The new Godin Stadium Pro builds upon the best features of previous Stadium models by adding several high-end treats to create an incredibly versatile guitar that excels at everything from country fingerstyle licks to hard rock barre chords!
The TV Jones Starwood at the neck produces a fat, warm tone with a dynamic and transparent top end and just the right amount of spank! The Lollar T Special at the bridge is punchy and powerful. These pickups are controlled by a plate-mounted three-way switch and volume and tone controls. Together, this combo serves up a delicious tone and is hum-free in the middle switch position. Rounding out the package is the Godin Custom-T Bridge with brass saddles that are fully adjustable for precise intonation.
Made in Canada, the Stadium Pro features a Laurentian Basswood body paired with a Rock Maple neck. The choice of wood, combined with Godin’s signature custom high-gloss finish, provides a natural acoustic tone and allows the instrument to breathe. The guitar is available in high gloss finishes of Ozark Cream or Sunset Burst, with either Rosewood or Maple fretboards.
Specs:
Body
Canadian Laurentian Basswood
Bridge Pickup
Lollar T Special
Bridge type (electrics)
Hard Tail
Color Name
Ozark Cream
Color Type
Cream
Controls
1x Tone, 1x Volume, 3-way Switch
Fingerboard
Maple
Fingerboard Radius
12″ (304.8 mm)
Finish
High Gloss
Fret Size
Medium
Frets
22
H.D.R
Not Included
Machine Head Ratio
18:1
Neck
Hard Rock Maple
Neck Construction
Bolt-on
Neck Pickup
TV Jones Starwood
Numbers of strings
6
Nut Type
Graphtech
Nut Width
1.65″ (41.91 mm)
Orientation
Right
Scale Length
25.5″ (647.7 mm)
String Gauges
.010 .013 .017 .026 .036 .046
String Set
E10
String Type
Electric Steel
LR Baggs LR-EAS Acoustic Guitar Undersaddle Pickup for Steel String Guitar
Advanced Undersaddle Pickup with Unrivaled Dynamic Range
Common undersaddle pickups depend on string attack to directly compress the sensors for their sound. This direct pressure is a root cause of the infamous “quack”. In contrast, our patented Element derives output from the movement of the soundboard and rejects string attack to minimize quack. Its flexible film sensor, thin as a human hair, mirrors the soundboard’s movement as you play to capture the guitar’s actual voice and its most delicate nuances. In addition, the pickup’s minimalist construction removes most of its influence on the acoustic properties, creates an intimate coupling between the sensor and guitar for the highest fidelity possible, and makes the Element amazingly reliable. Every pickup is made here at our California factory and is pre-tested in a guitar for output and balance.
Element Active System
Mirrors the soundboard’s movement
Our original Element system features impressive body sensitivity, warmth, and articulation in a streamlined design. The system includes a prewired Element pickup, all-discrete electronics, and a soundhole mounted volume control.
LR Baggs LR-EASC Acoustic Guitar Undersaddle Pickup for Classical Guitar
Advanced Undersaddle Pickup with Unrivaled Dynamic Range
Common undersaddle pickups depend on string attack to directly compress the sensors for their sound. This direct pressure is a root cause of the infamous “quack”. In contrast, our patented Element derives output from the movement of the soundboard and rejects string attack to minimize quack. Its flexible film sensor, thin as a human hair, mirrors the soundboard’s movement as you play to capture the guitar’s actual voice and its most delicate nuances. In addition, the pickup’s minimalist construction removes most of its influence on the acoustic properties, creates an intimate coupling between the sensor and guitar for the highest fidelity possible, and makes the Element amazingly reliable. Every pickup is made here at our California factory and is pre-tested in a guitar for output and balance.
Element Active System
Mirrors the soundboard’s movement
Our original Element system features impressive body sensitivity, warmth, and articulation in a streamlined design. The system includes a prewired Element pickup, all-discrete electronics, and a soundhole mounted volume control.
Cool ULJZ Ultra Cool Jazz Pick -Single
As a dynamic microphone, the MV-3 is especially suited for broadcasting, webcasting and recording. It has a smooth and wide frequency response, and the pickup is clear and delicate. The cardioid polar pattern suppresses feedback and isolates the desired sound. It also includes 200Hz low cut and mid-high frequency boost switches, which can improve the sound clarity and presence. Dynamic microphones also record vocals very well, with a bit more of an intimate close up sound. A nice change from the typical large diaphragm condensers usually used. Microphones similar in design have also become the latest rage for live vocal microphones. MV-3 definitely looks the part.
MV-3 is made of a durable metal alloy, increasing durability. This coupled with a proprietary anti-shock device virtually eliminates all mechanical vibration and hand-held noise An integrated windscreen/pop filter is placed outside the grill, effectively filtering out peak noises.
- Dynamic Broadcast Microphone
- Polar Pattern: Cardioid
- Frequency Response: 50Hz-16KHz
- Sensitivity: -58dB(0dB=1V/Pa at 1KHz)
- Impedance: 200Ω（at 1KHz）
- Low Cut Filter: 200 Hz
- Weight 1lb 12 oz
https://youtu.be/4q66pDCSxMA
Cool BCJZ Beta Carbonate Jazz Pick-Single
As a dynamic microphone, the MV-3 is especially suited for broadcasting, webcasting and recording. It has a smooth and wide frequency response, and the pickup is clear and delicate. The cardioid polar pattern suppresses feedback and isolates the desired sound. It also includes 200Hz low cut and mid-high frequency boost switches, which can improve the sound clarity and presence. Dynamic microphones also record vocals very well, with a bit more of an intimate close up sound. A nice change from the typical large diaphragm condensers usually used. Microphones similar in design have also become the latest rage for live vocal microphones. MV-3 definitely looks the part.
MV-3 is made of a durable metal alloy, increasing durability. This coupled with a proprietary anti-shock device virtually eliminates all mechanical vibration and hand-held noise An integrated windscreen/pop filter is placed outside the grill, effectively filtering out peak noises.
- Dynamic Broadcast Microphone
- Polar Pattern: Cardioid
- Frequency Response: 50Hz-16KHz
- Sensitivity: -58dB(0dB=1V/Pa at 1KHz)
- Impedance: 200Ω（at 1KHz）
- Low Cut Filter: 200 Hz
- Weight 1lb 12 oz
https://youtu.be/4q66pDCSxMA
Mackie ProFX6V3 12-channel Professional Mixer w/Effects & USB
VLZ4 Series Analog Mixers
perfection
OF COMPACT ANALOG MIXER DESIGN
Mackie relentlessly pursues the perfection of the compact mixer. VLZ4 ups the level of sonic quality at every level, featuring Mackie’s flagship Onyx mic preamps and premium components from front to back. The result is the most rock solid, the most easy to use and, yes, the best sounding compact mixer ever created.
Now featuring Mackie’s flagship Onyx mic preamps, the comprehensive Mackie VLZ4 line delivers the proven feature set, high-headroom/low-noise design and “Built-Like-A-Tank” construction that created an industry more than 25 years ago.
From every input to every output, VLZ4 is optimized to deliver professional-quality results each and every time.
https://www.youtube.com/watch?v=6XxkE-gW1M0