D’Addario Planet Waves PW-MSAMSSK-01 Mic Stand Accessory System-Starter Kit
Pro-Winder™
The ultimate restringing tool. Unlike ordinary peg winders, the Pro-Winder is
a high-quality peg winder with a built-in string clipper and bridge pin puller
D’Addario EJ16-10P Phosphor Bronze Light Acoustic Guitar Strings 12-53 10pk
D’Addario was the first to use Phosphor Bronze in acoustic guitar strings back in 1974. Today, Phosphor Bronze is played throughout the world and considered to be the standard in acoustic strings, thanks to its beautiful sonic balance and tonal warmth. Our pioneering Phosphor Bronze acoustic guitar strings are precision wound with phosphor bronze wrap wire over a high-carbon steel core, providing tonal versatility suitable for all acoustic styles and musical genres. 12-53 Light gauge strings are our most popular acoustic gauge, providing a nice balance of playability and tone.
Phosphor Bronze was introduced to string making by D’Addario in 1974 and has become synonymous with warm, bright, and well balanced acoustic tone. D’Addario Phosphor Bronze strings are precision wound with corrosion resistant phosphor bronze onto a carefully drawn, hexagonally shaped, high carbon steel core. The result is long lasting, bright sounding tone with excellent intonation. Also available in 3D packs
– D’Addario Phosphor Bronze acoustic guitar strings are precision wound with phosphor bronze wrap wire, over a hexagonal high-carbon steel core.
– Phosphor Bronze wrap wire provides tried-and-true D’Addario acoustic tone, with beautiful balance and warmth suitable for all musical genres.
– Now the standard in acoustic guitar strings, Phosphor Bronze strings were originally pioneered by D’Addario in the 1970s.
– D’Addario Phosphor Bronze acoustic guitar strings come with a code on the recyclable VCI bag, which you can register to earn Players Circle points.
– Our Phosphor Bronze strings are made in the USA—drawn to exacting specifications at our New York production facility.
Evans BD22RB – 22 Inch EQ3 Resonant Black Drumhead w/ 5″ Offset Port
Evans black EQ3 resonant series features a single ply of 10mil film and an offset 5 microphone port. The EQ3 series offers a warm and punchy sound with a controlled, short decay that’s ideal for both live and studio applications.
For over 60 years, Evans has been an innovator in drumhead manufacturing and design. As the creator of the first synthetic drumhead and other revolutionary products such as EMAD, Hydraulics, and the UV1 series, Evans drumheads are designed with the intent of solving problems for drummers. Regarded for high quality and consistency all Evans drumheads are made in the USA and feature Level 360 Technology.
– 22 resonant drum head made using a single ply of 10mil film
– A fixed, internal overtone control ring is made to be microphone friendly, from the studio to arena
– The 5″ offset mic port features a plastic sleeve focuses pitch and enhances the attach while providing protection for the port
– Available in a frosted, onyx, smooth white and coated white version
– All Evans drum heads are designed, engineered and manufactured in the USA
Evans BD22GB3C 22″ EQ3 Batter Coated Drumhead
Evans frosted EQ3 series features two plies of 6.5mil film and provides a controlled low-end rumble and focused attack. Its articulation and endurance make the EQ3 especially suitable for live playing and will not distort under heavy hitting. An internal overtone control ring with a removable muffle ring make for extreme articulation and ultimate endurance. The frosted surface provides more low register and attack.
For over 60 years, Evans has been an innovator in drumhead manufacturing and design. As the creator of the first synthetic drumhead and other revolutionary products such as EMAD, Hydraulics, and the UV1 series, Evans drumheads are designed with the intent of solving problems for drummers. Regarded for high quality and consistency all Evans drumheads are made in the USA and feature Level 360 Technology.
– 22 bass drum head made using two plies of 6.5mil film
– An internal overtone control ring and a removable muffle ring coupled with dry-vents work extremely well with and without a microphone
– Very versatile head for all music genres; a true working drummer’s choice
– Also available in a clear version
– All Evans drum heads are designed, engineered and manufactured in the USA
Evans BD22GB3 22″ EQ3 Batter Clear Drumhead
Evans clear EQ3 series features two plies of 6.5mil film and provides a controlled low-end rumble and focused attack. Its articulation and endurance make the EQ3 especially suitable for live playing and will not distort under heavy hitting. An internal overtone control ring with a removable muffle ring make for extreme articulation and ultimate endurance.
Evans EQ3 series features two plies of 6.5mil film and provides a controlled low-end rumble and focused attack. Its articulation and endurance make the EQ3 especially suitable for live playing and will not distort under heavy hitting.
– 22 bass drum head made using two plies of 6.5mil film
– An internal overtone control ring and a removable muffle ring coupled with dry-vents work extremely well with and without a microphone
– Very versatile head for all music genres; a true working drummer’s choice
– Also available in a frosted version
– All Evans drum heads are designed, engineered and manufactured in the USA
Hagstrom FANT-BLK Fantomen Ghost 6-String Electric Guitar-Gloss Black
With a relatively thin 1¼” (3.5cm) body, the Fantomen is beautifully balanced and surprisingly lightweight. A 25.5” (648mm) scale provides a slightly sharper attack amd more sustain than classic 24.75” scale guitars. A neck joint design that provides total, unrestricted access to all 22 frets will meet the needs of even the most virtuosic player.The goal was to equip the Fantomen with electronics that would allow for a varied tonal pallet ranging from classic, vintage colors to screaming metallic brilliance. Hagstrom worked with Swedish pickup guru Johan Lundgren, designer of pickups used by artists such as Meshuggah’s Martin Hagström (no relation!). Lundgren recommended two different humbucker designs: No. 2 in the neck position and No. 5 in the bridge position. The result covers an immense expressive range; from smooth, warm tones to the kind of attack and intense dynamic output that would satisfy the demands of even the most extreme musical styles. Each pickup can be split to single-coil mode by means of push/pull switches incorporated into the tone controls for even more sonic flexibility. This guitar speaks with many distinct voices.
Single Cutaway – Asymettrical Design
All Mahogany Construction
Multi-Ply Binding
Set Neck – Mahogany – Slim “D” Profile
H-Expander™ Truss Rod
Multi-Ply Binding
Resinator™ Fingerboard / 25.5” (648mm) Scale Length
Pearloid Block Inlays
22 Medium Jumbo Frets / 15” Radius
GraphTech Black Tusq XL Nut / 43mm
Lundgren Design AlNiCo-2 No. 2 Humbucker – Neck Position
Lundgren Design AlNiCo-5 No. 5 Humbucker – Bridge Position
3-Way Toggle Switch Pickup Selector
2 x Volume Control with R/C Circuit
2 x Tone Control with Push-Pull Coil Split
Long Throw Tune-O-Matic Bridge with Stop Tail Piece
Hagstrom 18:1 Chrome Die Cast Tuners
D’Addario (10-46) Strings
Optional (not included): C-47 Case / E-19 Gig-bag
Oscar Schmidt OS-LT-BK-A Single Cutaway Electric Guitar Black
The OS-LT has a classic shape and a classic tone. It features a Maple neck with dot inlays and produces the classic “twangy and jangly” tone found in country and pop music.
Seymour Duncan 11405-02 Passive 5-string Stack Jazz Bass Bridge Pickup
For those wanting an accurate, even feel from their pickups, the passive 5 String Stack noiseless Jazz Bass pickups offer vintage output and a flat response with their blade design. The neck pickup has a subtle, warm character, which as a stand-alone replacement is great. The real magic happens when paired with the bridge pickup, which is wired for a little more definition and snap. When both neck and bridge are used together, you get a great tone with a slight dip in the mid-range; perfect for slap-style playing.
This pickup uses a cover that is the size of traditional 5-string Fender Jazz Bass, which mean that, because it uses blades, it can be used on either 4-string or 5-string instruments. It will NOT directly retrofit a modern Fender Jazz V however. Will accommodate string spacings up to 2.9″ (73.6mm) for both neck and bridge pickups. Combine the neck with the 5-string bridge position Jazz Bass Stack for a perfectly matched set.
Hand built in Santa Barbara, CA, the 5-string Jazz Bass Stack noiseless Jazz Bass pickups use a ceramic bar magnet, 4-conductor lead-wire, and are vacuum wax potted for squeal free performance.
Quik Lok GS460 Multiple Universal Guitar Stand
The GS-460 Multiple Universal Guitar Stand is designed to hold up to 6 acoustic or 6 electric/bass guitars or a combination of electric and acoustic instruments. Solidly constructed with high-grade steel to ensure a stable base for supporting the heaviest guitars firmly in place. Padded backrest and base are covered with special foam cushioning that provides a soft but safe support for the guitars and protects them from damages. Easily width-adjustable rubberized partitions located on base and guitar neck holders protect guitars from damage. One-piece design for easy and rapid setup in perfect open position without need for tools. Collapsible backrest allows to quickly fold the stand down to a compact, lightweight, space-saving size for easy storage and convenient portability. Equipped with casters (two of which locking casters) for easy mobility. Ideal for use on stage, in studios or at home, but also great for store displays and trade shows. Can be easily expanded to accommodate more guitars by adding the GS460EXT optional expansion kit.