Shure BETA52A Kick Drum Microphone
What is the Beta 52A best suited to?
Its ideal for the professional musician looking to mic up their kick drum, bass amp and acoustic bass. It has the quality and durability to be used on stage and in the studio.
What are the characteristics of the Beta 52A?
The supercardioidcardioid pickup pattern limits interference from other on-stage sound sources and reduces feedback. The frequency response is perfectly tailored for bass instruments with a 20Hz to 10kHz frequency response with a presence boost at 4kHz to let electric basses and kick drums cut through the mix.
The Beta 52A is available as part of the DMK57-52 Drum Mic Kit, which includes three SM57 Microphones, one Beta 52A Microphone, three A56D Drum-mounting Systems, and a Lightweight and Durable Carrying Case.
FEATURES
*Frequency response shaped specifically for kick drums and bass instruments
*Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
*Studio quality performance, even at extremely high sound pressure levels
*Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
*Hardened steel mesh grille that resists wear and abuse
*Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
*Neodymium magnet for high signal–to–noise ratio output
*Low sensitivity to varying load impedance
*Legendary Shure quality and reliability
On-Stage MM01 Ball Joint Mic Adaptor w/ 360 Deg Rotation/180 Deg Tilt
Add the positional versatility of 360° rotation and 180° tilt to any standard mic clip, shock mount, stereo mic bar, or self-mounting mic with our MM01 Ball-Joint Mic Adapter. Capable of supporting heavy mics, the freely adjustable ball joint enables precise positioning and locks to ensure stable mic placement.
Applications: Adds a ball joint with 5/8”-27 male threading to any standard mic stand
Weight Capacity: 6 lbs.
Threading: 5/8”-27
Rotational Adj.: 360°
Tilt Angle Adj.: 180°
Construction: Chrome-plated machined stee
On-Stage MY430 Studio Microphone Shock Mount – Black
For more professional-sounding recordings, our MY430 Shock Mount for Studio Mics provides elastic suspension that isolates mics from external rumble. The sturdy adapter mounts to standard mic booms while the suspended clamp securely holds a wide range of large-diaphragm condenser mics. The clamp angle adjusts and locks in place with a tightening knob for precise mic positioning. Cloth lining on the clamp protects the mic finish and delivers a nonslip grip for reliable mic support.
Applications: Studio Microphones
Diameter Handles 55 mm – 60mm
Threading: 5/8”-27
Color: Black Powder Coat
On-Stage MY410 Studio Microphone Shock Mount – 42-48mm Opening -Black
For more professional-sounding recordings, our MY410 Shock Mount for Studio Mics provides elastic suspension that isolates mics from external rumble. The sturdy adapter mounts to standard mic booms while the suspended clamp securely holds a wide range of large-diaphragm condenser mics. The clamp angle adjusts and locks in place with a tightening knob for precise mic positioning. Cloth lining on the clamp protects the mic finish and delivers a nonslip grip for reliable mic support.
Applications Fits large diaphragm condenser mics
42-48mm in diameter
Threading 5/8″- 27 threads
Colors Black – MY410
On-Stage MY250 Microphone Clip – Hard Plastic
Our sleek MY250 Euro-Style Mic Clip securely holds dynamic mics in a slightly flexible tapered shaft that makes inserting and removing mics quick and easy.
Application Plastic Mic Clip for dynamic microphones
Diameter 25 mm
Color Black
On-Stage MY110 Unbreakable Rubber Wireless Mic Clip
Our rugged MY110 Unbreakable Rubber Wireless Mic Clip features a tapered rubber shaft to provide a secure, slip-free grip that flexes to fit wireless mics of various sizes. Its elasticity makes it nearly unbreakable. The shock-absorbent grip also reduces unwanted vibrations.
Lewitt Audio LCT 140 AIR Small Diaphragm Condenser Microphone-Matched Pair
Small diaphragm condenser microphoneLCT 140 AIR
- Choose between two distinct sound characteristics
- Great for acoustic guitar and drums
- Excellent transient response
- Cardioid polar pattern
Your mic for both, realistic and sparkling sound.
Do you prefer your instrument sounding 100% natural or rather have some sparkle on top? The LCT 140 AIR can do both. It features two sound characteristics, AIR and FLAT. You can easily switch to the sound that fits your purpose.
AIR adds top-end sparkle, while FLAT reproduces your sound as it is. Try both and capture the performance the way you want.
Two switchable sound characteristics
AIR or FLAT? Record the source the way you want.
AIR delivers an open, sparkling character. The right choice if you need great sound without spending time on post-production. FLAT provides a linear frequency response for “as-it-is” reproduction of drums, strings, acoustic guitars, and choirs. It is perfect if you aim for realistic sonic images. Check out the sound samples and hear for yourself.
Excellent transient response
Capture the natural sound of your instruments.
Transients are the DNA of your instrument’s sound. To retain the natural musicality of your instruments, the LCT 140 AIR delivers an excellent transient response. The natural characteristics of cymbals are captured accurately.
In any case, you get a punchy yet warm reproduction of your instrument’s unique sound.
Durable and light aluminum housing
It’s withstanding and easy to handle.
The LCT 140 AIR is very durable yet lightweight thanks to its CNC’ed aluminum housing. Positioning and setup become easy tasks.
Cool MV-3 Broadcasting Microphone
As a dynamic microphone, the MV-3 is especially suited for broadcasting, webcasting and recording. It has a smooth and wide frequency response, and the pickup is clear and delicate. The cardioid polar pattern suppresses feedback and isolates the desired sound. It also includes 200Hz low cut and mid-high frequency boost switches, which can improve the sound clarity and presence. Dynamic microphones also record vocals very well, with a bit more of an intimate close up sound. A nice change from the typical large diaphragm condensers usually used. Microphones similar in design have also become the latest rage for live vocal microphones. MV-3 definitely looks the part.
MV-3 is made of a durable metal alloy, increasing durability. This coupled with a proprietary anti-shock device virtually eliminates all mechanical vibration and hand-held noise An integrated windscreen/pop filter is placed outside the grill, effectively filtering out peak noises.
- Dynamic Broadcast Microphone
- Polar Pattern: Cardioid
- Frequency Response: 50Hz-16KHz
- Sensitivity: -58dB(0dB=1V/Pa at 1KHz)
- Impedance: 200Ω（at 1KHz）
- Low Cut Filter: 200 Hz
- Weight 1lb 12 oz
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