On-Stage MY320 Condenser Shock Mount Microphone Clip
Designed to reduce the effects of low-end rumble and floor vibrations, our MY320 Shock-Mount Condenser Mic Clip features a shock-absorbent rubber bridge between the connector and the grip. The slip-free rubber grip flexes to fit small-diaphragm condenser mics of various sizes and provides an additional layer of shock-absorption.
Application Shock absorbent mic clip for condenser microphones
Diameter 20 mm
Color Black
Right-On L.E. MICK Special Steady Guitar Strap
Special strap, corresponding to a limited edition of 124 units, corresponding to a batch of material that will never be made again, a unique guitar strap inspired by a shirt that the singer of the Rolling Stones, Mick Jagger, once wore …
- Width: 2,3″ (6 cm)
- Adjustable Length: 35,43′(90 cm) – 59′ (150 cm)
- Material: No leather
- Color: Black
Right-On B-SANDOKAN WD-Steady Bassman Mojo Guitar Strap-Woody
The B-Sandokan has a surface reminiscent western engravings, is a strap for adventure. This strap reminds the strength and persistence over time, and get it because is made it with high quality materials.
This strap is 8cm wide. And has a long range between 98-153cm with the exclusive RAS (Righton Adjustment System) to adjust the strap to the desired lenght on the most accurate way.
The surface of the B-Sandokan strap is made of fabric, and the end tabs are synthetic. Vegan strap
The Sandokan is made of synthetic materials and high tech fabrics with respect to the environment. The materials have been tested, so we can ensure the durability of them.
It also has a microfiber lining that doesn’t slip and swet-wicking. This strap is padded with 5mm latex which makes it very comfortable and lightweight.
All the RightOn! Straps are designed and manufactured in Spain.
- Width: 3,15″ (8 cm)
- Adjustable Length: 38,58′(98 cm) – 20,86′ (153 cm)
- Material: No leather
- Color: Woody
NUX Cerberus Multi-Effects Pedal
The NUX Cerberus is a multi-function effects pedal that can be used stand-alone or with the 4-cable method. It comes packed with extraordinary features including inside routing, IR loader, analog overdrive & distortion and digital effects.
You can use Cerberus as a stand-alone device to prepare your setup and control as a stomp-box chain and/or save any combinations including routing as a preset and recall by a single click. You can add your essential gear into the chain with using the 4-cable method no matter which equipment you use. Cerberus also offers MIDI control to organize your own effect pedals and improve your effects control at the same time.
NUX put together two selected analog Drive / Distortion pedals, modulation effects and delay & reverb effects. All these sounds and effects were improvised both from the all-time-classic and newly most-liked gear.
Analog Overdrive and Distortion:
Overdrive (Blues Breaker): Cerberus Overdrive sound is a tribute to the ’70s Little Wing / Hendrix playing-style. The technology is only about 10 years ago, but it quickly became one of the most-preferred overdrive sounds on the market. The Overdrive Channel simply takes your guitar tone to the next level without adding mid-frequencies or any other unwanted characteristics inherent in “Tube Screamer Style” circuits and provides a transparent overdrive sound. Any pedal can sound amazing but when you create an effect chain, harmonizing the sound is critical for maximum efficiency.
Distortion (Brown Anger): If you prefer high gain distortion with a Classic British flavor, rich bass responses, thick mid-frequencies and a balanced treble response, Cerberus Distortion will soon become one of your all-time-favorite sounds. NUX also considered compatibility in respect to the Overdrive and Distortion channels. Whether you use distortion standalone or combine with overdrive, when you hit your distortion switch, you’ll feel the classic JCM touch on your sound.
Drive section has analog circuitry with digital control parameters and it remains analog (AD/DA converter starts from the MOD FX section).
Modulation Effects
Tremolo: Cerberus Tremolo creates authentic vintage tremolo guitar sounds and it is an easy-to-use compact effect, but it offers wide parameters for precise effect tailoring.
Phaser: It’s warm, organic, and rarely harsh and burnt-orange phaser. From simple and warm, to tuneful character melodic?
Sleepy psychedelic swirl, with rich high-end harmonics, Cerberus’s Phaser is a joy to use.
U-vibe: For guitarists who really dig the swirling vibes sound– especially in “vintage” mode, Cerberus’s U-Vibe offers a massive swirl, that’s true, it’s more than “feeling the U-Vibe” sound, you can jump on it. NUX made sure our U-Vibe effect included the classic favorites, and Cerberus has them ready
Chorus (CE – Analog, SC – Digital, ST – Modern)
CE Chorus: This chorus type is from early years of Chorus effect. There is no any other vintage sound without an analog chorus touch.
SC Chorus: SC Chorus adds a dreamy chorus sound and creates an ambient guitar tone. That’s another alternative chorus if you like a digital touch and to create and ensemble chorus effect.
ST Chorus: This is the most common chorus effect. From clean arpeggios or strumming and fat-drive power chords to sparkling distortion killer solos, Cerberus ST Chorus fills in the gaps to complete your sound.
Delay (’60s, ’70s and ’80s)
’60s Delay (Tape Delay) 55ms – 550ms: Tape delay effects that never get old. NUX picked a heavy-lift tape echo and shrunk it to add one of the delay modes in Cerberus. In ’60s Delay mode you can create aged over-saturated repeats — the way tape does!
’70s Delay (BBD) 40ms – 400ms: This mode can handle all or your performance needs if you prefer to use analog-style repeats. It has a decreased modulation so you feel really the popular analog-like BBD sound repeats.
’80s Delay (Digital Delay) 80ms – 800ms: ’80s Delay sounds fantastic is super easy to use. Its simplicity makes it the best mode if you are already using modulation effects, and all you want are crystal clear repeats.
Tap Tempo
All of the Delay effects provide an original sound and each one has its own delay speed range. When Tap Tempo is activated, the Time Knob controls the repeat quantize and Tap Tempo delay range is 125ms – 1500ms for all delay types. And while you tweak the Time Knob, it still allows you to have the original delay time range to emerge infinite feedback, run-away/oscillation as physical tape echo and BBD delay.
Reverb (Plate, Hall and Spring)
Plate Reverb: Plate reverb helps you to have the touch of reverb. If you are in need of a deep ambiance, long decay parameters will give you the deepest but also versatile and organic reverb sound.
Hall Reverb: It offers the spacious feeling of a well-architected performance hall with natural reflections in a studio quality reverb effect.
Spring Reverb: Based on a tank sound, get the warmth and richness of a vintage reverb unit with Cerberus’s Spring Reverb function.
Impulse Response (IR) Loader
Cerberus has stereo outputs: one is a dedicated Output with speaker simulation for direct connection to the mixer or your audio interface. When using both Outputs, you can activate or deactivate by pressing the Speaker Cab Sim button. This comes in handy when running 2 amps. The headphone output is cab simulated and ready-to-play. It can run any 3rd party IR files as well.
More Features
An integrated loop switcher, kill dry function, 0 to 20dB volume boost and an accurate tuner into a simple-to-use floor unit. Great tone, ultimate flexibility, easy control, and extreme portability make Cerberus ideal for all players. It also has an additional foot control switch for the selected functions of your choice and you can also connect an expression pedal while it becomes a volume control option before the digital section.
Control switch can be assigned as Reverb, Mod FX, Drive Section Bypass or Clean Boost (0dB – 20dB)
MIDI Implement / Global Settings
When you’re using any kind of MIDI-compatible pedals and stomp boxes, they are extremely handy when paired with a rack processor or even a guitar effects software. Cerberus provides full MIDI implementations that you can use and combine with any MIDI-supported gear.
PACIFIC DRUMS & PERC PDST2015RD Spectrum Series 5-Piece Shell Pack, Cherry Stain
Description
Designed to bridge the gap between Mainstage and Concept Series, the all-new line of Spectrum Series drums supply ample warmth and resonance by way of a maple/poplar hybrid shell fitted with a new FTM (Floating Tom Mount) system. Kits are offered in three new matte lacquer finishes (Ebony, Cherry and Ultraviolet Stain) and outfitted with PDP “teardrop turret” lugs. Expect more drumset and get it, with Spectrum. Hardware and cymbals sold separately.
- Shell sizes: 8X10, 9X12, 14X14, 16X20, 5.5X14
Latin Percussion 227A Conga Drum Tuning Wrench-LP227A
This metal wrench has dual openings – 1/2″ and 9/16″ – to tune up standard congas and certain bongos and timbales in no time. The LP227A has a rubber handle to cushion your hand while you’re cranking your quinto and tuning your tumba. And since it’s tailor-made for percussion, you won’t have to spend precious seconds searching through your gig bag to find the wrench size you need.
- Great for your LP Galaxy, Matador, and Aspire congas
- All-metal design resists breakage
- Rubber handle cushions your hand as you tune
- 1/2″ and 9/16″ openings – fits standard congas, certain timbales and bongos
Pigtronix BWP Bob Weir’s Real Deal Acoustic Preamp Pedal
Bob Weir’s Real Deal acoustic preamp by Pigtronix provides crystal-clear, super-loud acoustic guitar tone while faithfully maintaining the organic wooden sound of the instrument like no other pedal has ever done.
FEATURES
– Single (TS) or Dual-Source (TRS) input
– Balanced (TRS) Input for External Mic
– Low-noise 24db / octave optical filters
– Crossover sweeps from 300Hz to 3kHz
– 60db Gain on Microphone channel
Phantom Power & Phase Inversion
18VDC Power Supply Included
Joyo JBA-35 Combo Bass Amplifier
JOYO JBA-35 – Bass Combo Amp The JOYO JBA series offers an excellent sound and portable solution for all types of bass players. The JBA-35 comes with a 3-band equalizer to get that perfect sound, a headphone input for quiet practice, and you can even play with your own music with the auxiliary input / CD. The speaker and the direct outputs as well as the effects of sending and returning open the possibilities for any type of music and any level of playing skill. EQ to get the perfect tone Reach your ideal bass sound with the 3-band EQ control. Easily increase or decrease bass, midrange, and treble frequencies, and further adjust the upper-mid range using “bright” control. By giving you a more present sound, the JBA-35’s equalizer really helps the bass to stand out and cross. Auxiliary, headphones and more! Featured on the JBA-35 are a large number of inputs and outputs – making it the perfect go-to amp. On the front, the auxiliary input / CD allows you to connect any phone, iPod or external music source, so you can play with your favorite songs, or even your own backing tracks. The headphone input is ideal when you need to reduce noise and exercise late at night. Double entries With active and passive inputs, the JOYO JBA-35 adapts to all bass styles. Whether your instrument has a battery-powered sensor and is active or a simple plug-and-go passive model, the JBA-35 has a dedicated input for you to get the most out of it of your bass. On the back The JOYO JBA-35 has even more features at the back: effects loop, direct output and speaker output. The effects loop is ideal for those who have a number of effects – plug your pedals directly to get a different sound.
OUTPUT POWER(RMS): 35W
SPEAKER: 10"8Ohm
INPUT SENSITIVITY/IMPEDANCE: INPUT/-20dBu/2.2MΩ
CONTROLS: VOLUME, BASS, MID, TREBLE, BRIGHT, LIMITER
INDICATOR LIGHT Limiter
CONNECTOR JACK: INPUT, CD, PHONES, DIRECT OUT, SEND, RETURN, SPEAKER OUT
POWER: AC220V/50HZ
NET WEIGHT: 14.5KG
GROSS WEIGHT: 15.7KG
DIMENSIONS: LENGTH 373x WIDTH 318x HEIGHT 426mm
Joyo Technologies JBA-10 10W Bass Amp 8″ Speaker Bluetooth
The JOYO JBA series offers an excellent sound and portable solution for all types of bass players. The JBA-10 comes with a 3-band equalizer to get that perfect tone, a headphone input for quiet practice, and you can even play with your own music with the auxiliary input / CD or connect your phone or tablet via Bluetooth, This is an ideal amp at home. The speaker and direct outputs as well as the send and return effects open up possibilities for any type of music and any level of gaming skill. Reach your ideal bass sound with the 3-band EQ control. Easily increase or decrease bass, midrange, and treble frequencies, and further adjust the upper-mid range using “bright” control. By giving you a more present sound, the JBA-10’s equalizer really helps the bass to stand out and cut. Featured on the JBA-10 are a number of useful inputs and outputs – making it the perfect go-to amp. On the front, the auxiliary input / CD allows you to connect any phone, iPod or external music source, so you can play with your favorite songs, or even your own backing tracks. The headphone input is ideal when you need to reduce noise and exercise late at night. If your music player does not have Bluetooth, no fear! In addition to wireless connectivity, the JBA-10 offers a 3.5mm auxiliary input to connect a music player via a standard auxiliary cable. An option switch selects between Bluetooth and the auxiliary input. <> Power adapter: Input 100-240VAC 50 / 60Hz, output 15VDC / 4A <> Net weight: 8.7KG <> Dimensions: LENGTH 318 x WIDTH 294 x HEIGHT 352mm
- Power output (RMS): 10W
- Speaker: 8 “8Ohm
- Input Sensitivity / Impedance: INPUT / -20dBu / 470KO
- Socdet connection: INPUT, AUX IN, PHONES
- Controls: VOLUME, BASS, MID, TREBLE
- Selector: AUX IN, BLUETOOTH
- Power adapter: Input 100-240VAC 50 / 60Hz, output 15VDC / 4A
- Net weight: 8.7KG
- Dimensions: LENGTH 318 x WIDTH 294 x HEIGHT 352mm
Ashdown Engineering ORIGINAL-HD-1 OriginAL 300-Watt Lightweight Bass Amp Head
The OriginAL clinches the key fundamentals of everything that makes a great bass amp. This lightweight, portable and stripped back bass amp head takes Ashdown back to the origin of their Tone. Starting from the top, a passive/active switch determines the whether the amp is being used with a high or low output instrument and sets a clear signal path to the input control. From here, the player can fine-tune their input level using Ashdown’s trademark VU meter, which takes pride of place at the very centre of the amp head.
Ashdown Engineering RM-500-EVO-II EVO 500W Bass Amplifier Head
Now in its second evolution is the RM-500. The 500-watt power section of the RM500 EVO has been developed to maintain a deep low end, defined mids and transient highs delivering its output into a 4-ohm load. Ashdown Rootmaster heads are the perfect choice for working bassists looking for power and features without the weight. The Rootmaster EVO series’ pre amp now includes a passive and active input jack socket for use with high and low output instruments, this sets a clear signal path to the input control enabling you to fine tune your input level using the trademark Ashdown VU meter. With the signal at its optimal level, you then hit the rich features designed enhance your tone, such as the shape button, 5-band EQ and on-board compressor. The drive control, as always delivers a delectable valve emulated over-drive, whilst the sub harmonic controls add further fatness to your tone – both can be foot-switched via an FS 2 footswitch (sold separately). Rootmaster EVO heads also feature an upgraded power section plus a handy mute button. What’s even cooler is when switched to mute, the trademark Ashdown Engineering VU meter changes from orange to cool blue – creating the perfect on stage mood lighting between sets.
Gibraltar 6608 Throne Moto Style
6608
Motorcycle Throne
- Motorcycle style vinyl seat
- Top grade foam for maximum comfort
- Double braced collapsible tripod base
- Cast height adjust collar with nylon bushing
- Knurled adjustable height support stem with memory lock.
- Top dimensions: 15-1/2”W x 13-1/4”D x 3-1/4”H
- Height range: 18” to 24”
PACIFIC DRUMS & PERC PDBXHW8155 800 Series Drum Hardware Pack
Pacific hardware and pedals are designed for every drummer. From the modular line of Concept Series™ stands, to an array of pro-inspired pedals and rack systems, PDP offers a cost conscious alternative to players of every musical genre and skill level. And we think more drummers with better gear is a beautiful thing.
PACIFIC DRUMS & PERC PDNY1604BO New Yorker 4-piece Shell Pack, Black Onyx Sparkle
Created in the DW Custom Shop, the New Yorker drums were designed in compact sizes for easier portability.
An 8”x10” mounted tom, 12”x13” floor tom, 14”x16” bass drum and 5”x14” snare. The New Yorkers are available from PDP in stylish kits for the student or working drummer, in brilliant Pale Rose, Electric Green or Black Onyx Sparkle finishes.
PDP New Yorker Kits exhibit warm, full tones, courtesy of their all-poplar shells. The low-mass, Teardrop Mini-Turret lugs help to make them lightweight and travel-friendly.
Hardware and cymbals not included. Each sold separately.
Mooer MEQ1Graphic G Guitar Equalizer Pedal
Product Features
- Smallest guitar graphic equalizer pedal in the world
- 5-Band Graphic EQ with master level control
- ±18dB adjustable gain range per band
- Full metal shell
- Very small and exquisite
- True bypass
- Requires DC 9V Adapter power supply
Mooer MEQ2 Graphic B Bass Equalizer Pedal
Smallest Bass graphic equalizer pedal in the world
5-Band Graphic EQ with master level control
Frequency Centers: 62.5Hz, 125Hz, 500Hz, 1kHz, 4kHz
±18dB adjustable gain range per band
Full metal shell
Very small and exquisite
True bypass
Specifications
Input: 1/4” monaural jack (impedance: 470k Ohms)
Output: 1/4” monaural jack (impedance: 1k Ohms)
Power Requirements: AC adapter 9V DC (center minus plug)
Current Draw: mA
Dimensions: 93.5mm (D) × 42mm (W) × 52mm (H)
Weight:160g
Toca TP-FHM9 9″ Goatskin Djembe Head
Toca TP-FHM9 9” Goat Skin Head for Mechanically Tuned Djembe