Dunlop MXR® JD-M281 Thump Bass Preamp
The MXR Thump Bass Preamp is a tone-sweetening, signal-boosting, and altogether groove-enhancing machine. This pedal was conceived when the MXR design team and our in-house bass players discovered that the Echoplex® Preamp’s sonic secret sauce made for just as delectable a pairing with bass as it does with guitar. Using that circuitry as a foundation, the MXR team added a simple yet potent tone-shaping interface so that you can dial in the perfect bass sound for the stage and the studio. Crafting the sound you need is easy. The Echoplex Preamp circuit conditions your signal with a carefully balanced EQ profile, and this pedal’s tone controls let you take it from there. The Treble and Bass knobs cut or boost frequencies at 4 kHz and 40 Hz respectively, while the Mid knob cuts or boosts the midrange as set by the Frequency knob, from 250 Hz to 1 kHz. This range of frequencies was selected to give players maximum flexibility and minimal fuss when refining their bass signal. Whether you need to punch up a solo, boost your signal in a live mix, or sculpt more edge into the sound of a passive bass, the Thump Bass Preamp packs incredible versatility into an MXR mini housing.
Dunlop M68 Uni-Vibe Chorus / Vibrato Pedal
If you listen to classic rock, then you’ve heard the wonderful and awe-inspiring sound of he Uni-Vibe Chorus/Vibrato. It’s one of the most iconic effects in music history and that’s not an exaggeration. Since the late ™60s, players pushing the limits of the guitar have used it to blow minds and reconfigure the tonal and textural palette of music. The geniuses over at MXR have just remastered the classic effect for today’s guitarist but in a smaller footprint while maintaining all of the gorgeously chewy, Leslie-sounding goodness. With its simple three-knob interface, you can dial up the sound to your liking without problems. First, use the VIBE switch to select either Chorus Mode”dry signal mixed with pitch-shifted signal”or Vibrato Mode”only pitch-shifted signal. Then, use the LEVEL control to set the effect volume, the SPEED control to set the sweep rate, and the DEPTH control to set overall intensity. The Uni-Vibe comes in a Phase 90-sized housing”a fraction of the size and weight of the original Uni-Vibe pedal”and features true bypass switching. Perfect for hitting the road with lush, swirly madness.
- Take your chorus effect from subtle to extreme
- Much more pedalboard-friendly than the original
- Maintain your tone with true bypass switching
- Iconic Chorus/Vibrato true to the classic late ’60s tone
- Simple three-knob interface
- True bypass
Dunlop MXR M267 Octavio Fuzz
Made famous by Jimi Hendrix, the Octavio Fuzz and its touch-responsive octave-up saturation continue to be employed by modern players, from straight-up rockers to low ’n’ slow doomsayers. For the first time ever, that iconic effect has joined the MXR standard line. The layout is as simple as it ever has been—just set the Output and Fuzz controls to your desired volume and intensity, and allow your picking and plucking dynamics to coax out the pedal’s legendarily searing, synth-like tones. Explore the furthest reaches of silicon saturation in a trusted vessel. Get yourself an MXR Octavio Fuzz.
Pigtronix BWP Bob Weir’s Real Deal Acoustic Preamp Pedal
Bob Weir’s Real Deal acoustic preamp by Pigtronix provides crystal-clear, super-loud acoustic guitar tone while faithfully maintaining the organic wooden sound of the instrument like no other pedal has ever done.
FEATURES
– Single (TS) or Dual-Source (TRS) input
– Balanced (TRS) Input for External Mic
– Low-noise 24db / octave optical filters
– Crossover sweeps from 300Hz to 3kHz
– 60db Gain on Microphone channel
Phantom Power & Phase Inversion
18VDC Power Supply Included
Mooer MEQ2 Graphic B Bass Equalizer Pedal
Smallest Bass graphic equalizer pedal in the world
5-Band Graphic EQ with master level control
Frequency Centers: 62.5Hz, 125Hz, 500Hz, 1kHz, 4kHz
±18dB adjustable gain range per band
Full metal shell
Very small and exquisite
True bypass
Specifications
Input: 1/4” monaural jack (impedance: 470k Ohms)
Output: 1/4” monaural jack (impedance: 1k Ohms)
Power Requirements: AC adapter 9V DC (center minus plug)
Current Draw: mA
Dimensions: 93.5mm (D) × 42mm (W) × 52mm (H)
Weight:160g
Dunlop MXR® M303 CLONE LOOPER™ PEDAL
The MXR Clone Looper Pedal is highly engineered for incredible sound quality, comes packed with features in a pedalboard-friendly housing, and can be as simple or complex as your needs dictate. Everything you expect from an MXR pedal, in other words. Whether you’re practicing at home, captivating audiences with improv compositions onstage, or weaving intricate sonic tapestries in the studio, the Clone Looper Pedal has you covered. Just plug in, power up, and start recording an unlimited number of layers—up to 6 minutes long—that will be stored even when the pedal is off. A super convenient LED gives you a flashing 4 count to the beginning of the loop so you can keep your overdubs tight. Loops can be stopped and started in an instant, and your most recent layer can be undone just as fast. Run effects to your heart’s content—with storage sample rates up to 88.2kHz, so this little box will handle even high-gain distortion with ease. To keep your pre-loop signal intact, the MXR team also included an analog through-path. On top of that, the Clone Looper Pedal can be set for either buffered bypass or true bypass switching to accommodate your tone and signal needs. The Clone Looper Pedal also comes packed with options for sonic explorers, from changing up the speed of your loop—to double-speed (3 minutes of recording time) or half-speed (12 minutes)—to reversing it entirely. Connecting an MXR Tap Tempo Switch to the CTR jack allows you to control all of these functions externally. The EXP jack provides further external control options when you connect a DVP volume pedal to adjust the loop’s output level or an MXR Tap Tempo Switch to engage Play Loop Once mode, which allows you to pull off smooth live performances and re-trigger your loop over and over again for DJ-style stutter effects. Pedalboard-friendly and built like a tank, the Clone Looper Pedal is easier to use and delivers higher fidelity signal reproduction than any other looper of its type—hands down.
Orange Fur Coat Vintage Fuzz w/Adjustable Octave
VINTAGE FUZZ
Loosely based on the vintage Foxx Tone Machine, the Orange Fur Coat Fuzz takes its inspiration from the great fuzz pedals of the 70’s.
The Fur Coat gives you a fully controllable octave fuzz pedal. Separate switches mean you can choose between Fuzz or Octave Fuzz. The controllable Octave up fuzz means you can bring in the fuzz to whatever level you need and the EQ allows you to boost your Treble or Bass. This truly is a fuzz you control.
This is our only True Bypass pedal. This is because a Fuzz is better at the beginning of the chain where it interacts directly with your guitar. Placing the pedal further into your signal chain or after a buffer will give the fuzz a more distorted tone.
VINTAGE FUZZ:
The Orange Fur Coat fuzz can be used into a clean amp or an amp with some hair. When used into an overdriven amp, it creates a unique, thick “fur coat” of vintage fuzz.
ADJUSTABLE OCTAVE:
Something quite rare, rather than simply being able to switch it on/off, the Fur Coat adds octave up as you increase the octave control.
LOW POWER CONSUMPTION:
The Orange Fur Coat fuzz draws very little current (much less than 10mA) allowing for long battery life. Use a regulated 9-12V DC centre-negative power supply.
CONTROLS (LEFT TO RIGHT):
VOLUME, EQ, OCTAVE, FUZZ
CURRENT DRAW:
9V: 3MA
12V: 5MA
STOMP FUNCTIONS:
ACTIVATE OCTAVE, ACTIVATE FUZZ
UNBOXED DIMENSIONS (W X L X H):
9.5 × 6.5 × 13CM (3.7 X 2.6 X 5.1″)
UNBOXED WEIGHT:
524G (1.15 LBS)
BOXED DIMENSIONS (W X L X H):
11.4CM X 14.8CM X 8CM
BOXED WEIGHT:
722G (1.59LB)
Joyo JF-328 Nebulous Phase Mini Guitar Effect Pedal
JOYO JF-328 Nebulous Phase mini Guitar Effect Pedal
The JOYO JF-328 Nebulous Phase mini Guitar Effect Pedal has landed and what a JOY-o it has been trying it out.
The nebulous phaser splits the audio signal into 2 separate paths. One is unaffected while the other passes through 4 all pass filters and a LFO (Low Frequency Oscillator), these two signals are then mixed back together. As the Nebulous has 4 of these all pass filter it makes it a 4stage phaser, just like a certain orange ancestor ;). The phase filters the guitar signal by creating a series of peaks and troughs in the frequency spectrum. The position of the peaks and troughs of the waveform being affected is then modulated, adjusting speed, width and feedback. The phase effect varies over different times, adjusting the phase width (the gap between the peaks), creates a sweeping effect that can sometimes be confused with flanger..
As well as the plethora of 70’s rock, funk and pop recordings, phase is commonly found on 70s keyboards and remains a classic effect. We got great results placing the nebulous phase after the molo tremolo, something oscillating before adjusting the volume. Using the shape shifting molo trem, you will be creating anything from a subtle modulated effect to widen your girth, or something that will take you out of this world..
Listen to Small Faces, Brian May, Radiohead, Eddie Van Halen.
and watch the demo.
CIOKS C8e Power Supply Expander w/8 Isolated Outputs including 24VDC
CIOKS 8 is our largest switch-mode power supply expander and it features 8 isolated outlets which each deliver 9V DC at 660mA. All outlets offer four selectable voltages (9, 12, 15 or 18V).
The CIOKS 8 was mainly designed to be used as a large extension to the DC7 power supply in case you need more outlets. If you want to use CIOKS 8 as an extension to the DC7, simply connect CIOKS 8 to the courtesy 24V outlet on your DC7 with the included 24V DC Link cable and you are good to go.
If you are looking for a super powerful power supply setup to power a large pedalboard, the combination of CIOKS DC7 and CIOKS 8 will definitely be an awesome solution where this combo will give you 15 isolated outlets in total plus a 5V USB outlet to charge your smartphone or tablet.
Outlaw Dumbleweed D-style Amp Overdrive Pedal
Inspired by one of the most sought-after (and expensive) sounds in rock & roll
Complete, dynamic range of drive tones, from subtle break-up to robust, fuzzy dirt
Gain, Tone and Volume controls let you dial in your drive tone with precision
Voice control adds an extra dimension of control, allowing you to darken or brighten the overall color of your tone
Way Huge WHE800 Purple Platypus Octidrive Pedal
DUNLOP WHE800 DETAILS
Just like the original, the Dunlop Platypus Octidrive MkII combines the burly, buttery tones and amp-clobbering gain of the Red Llama™ Overdrive with a frequency doubler that creates an octave-up effect.
Unlike most octave-up pedals, though, this amphibious stompbox cleans up nicely-you can take it from eerie ring modulator style effects to downright massive octave fuzz. In addition to the original Volume and Drive controls, the MkII comes with a Hi-Cut control so that you can shape and season the sonic wizardry to your own taste. Want to sound like a sitar? Just switch to your bridge pickup and pluck away at your strings right where they come off your bridge. Dynamic and touch-sensitive, the Purple Platypus Octidriver MkII is packed with symphonic potential.
The Purple Platypus™ Octidrive is powered by a single 9-volt battery, a 9-volt AC adapter such as the Dunlop ECB003, or the DC Brick™, and Iso-Brick™ and Mini Iso-Brick™, power supplies. The power input is a 5.5mm x 2.1mm jack with the positive voltage on the outer sleeve. Using an external power supply will disconnect the battery. Disconnect the input jack to preserve battery life when not in use. The pedal will lock into bypass mode when it is time to change the battery. It also includes power protection circuitry to prevent damage from AC power supplies.
Specs:
- Bypass: Relay Bypass
- Current Draw: 6 mA
- Power Supply: DC 9 volts
Dunlop JHW1 AUTHENTIC HENDRIX™ ’69 PSYCH SERIES FUZZ FACE® DISTORTION
Jimi Hendrix was a pioneer on the frontier of fuzz, experimenting with numerous flavors and shades throughout his career to imbue his riffs and leads with just the right attitude and texture. The Fuzz Face Distortion, in all of its incarnations, was the fuzz pedal that he used more than any other. The Authentic Hendrix ’69 Psych Series Fuzz Face Distortion captures two different flavors of Jimi Hendrix fuzz tones in a single mini housing with all the appointments today’s players demand. In its default mode, this pedal discharges the aggressive silicon-based crunch that that Jimi Hendrix used in the latter part of his career. Hitting the SI/GE switch engages the warm, smooth saturation of germanium-based fuzz that he used in the early years. This pedal also uses buffered bypassing by default, allowing for a greater range of tones and full cooperation with wah pedals such as the Jimi Hendrix Cry Baby Wah. The tonal purists out there will be happy to know that a Buffer switch allows for true bypass switching. It all comes in an MXR mini housing dressed in the trippy, kaleidoscopic designs of award-winning UK-based design crüe ILOVEDUST.
Dunlop JHW4 AUTHENTIC HENDRIX™ ’69 PSYCH SERIES BAND OF GYPSYS® FUZZ
The Jimi Hendrix Band of Gypsys Fuzz is based on a mysterious Fuzz Face Distortion that Jimi Hendrix used at several iconic shows between 1969 and 1970, most notably the Band of Gypsys performance. Red with white knobs, this particular fuzz sounded like a completely different animal from any of the other Fuzz Face pedals in his arsenal, snarling with an aggressive, biting tone. The pedal itself has been lost to history, but its unmistakably unique sound lives on in recordings. Our engineers narrowed the sound down to a version of the Octavio® circuit that didn’t have that pedal’s famous octave-up effect.
Dunlop JHW2 AUTHENTIC HENDRIX™ ’69 PSYCH SERIES OCTAVIO® FUZZ
The Authentic Hendrix ’69 Psych Series Octavio Fuzz updates the circuitry of the original cheese wedge Octavio Fuzz for modern players and pedalboards. In its default mode, this pedal snarls with super aggressive silicon saturation. Pushing the Octave switch kicks in the classic octave up fuzz sound so potently demonstrated on tracks such as “One Rainy Wish” and “Purple Haze.” Both modes deliver a range touch-sensitive fuzz tones that will inspire you to venture into uncharted sonic territory just as the incomparable Jimi Hendrix did when he used the Octavio Fuzz to make history. This modern rendering of a classic one-of-a-kind effect comes in an MXR mini housing dressed in the trippy, kaleidoscopic designs of award-winning UK-based design crüe ILOVEDUST.
Dunlop JHW3 AUTHENTIC HENDRIX™ ’69 PSYCH SERIES UNI-VIBE® CHORUS/VIBRATO
The thick wash of Uni-Vibe® Chorus/Vibrato that permeates the landmark Band of Gypsys™ album is undeniably some of the most transcendent tone ever recorded. With that pedal’s chorusy, Leslie-sounding goodness, Jimi Hendrix was able to summon startlingly rich textures that sound as if you can actually spoon them out of the speakers. This pedal delivers those classic tones in all of their stunning analog glory at a fraction of the size of the vintage Shin-ei unit that Hendrix used from 1969 to 1970. Now available in an MXR mini housing emblazoned with the trippy, kaleidoscopic designs of award-winning UK-based design crüe ILOVEDUST, the Uni-Vibe Chorus/Vibrato looks better than ever and takes up way less space on your pedalboard.
Line 6 ToneCore Verbzilla Reverb Pedal (CI)
- The Line 6 ToneCore Verbzilla reverb effect pedal creates luscious, studio-grade algorithms– from classic guitar amp-style spring reverb to dreamy, high-end studio favorites. Tone, Mix, Decay, and Time controls help you find the exact effect you want, and the Trails on/off switch allows the ToneCore reverb to decay or cut off once you hit bypass. The ToneCore Verbzilla has a huge array of reverb models including ’63 Spring, Spring, Plate, Room, Hall, Chamber, Ducking, Octo (a Line 6 exclusive), Cave, Tile, and Echo.
- Vintage and Modern Pro Reverb Tone
- Studio Quality Algorithms
- 11 Amazing Sounding Models
- Stereo inputs and outputs
- Rugged metal construction
Joyo R-08 Cab Box Simulator and IR Loader Pedal
JOYO Cab Box Guitar Cabinet Speaker Simulator and IR Loader
The JOYO CAB BOX is a guitar cabinet emulator, a guitar effect pedal that allows full configuration of vintage and modern amps. You can configure the power amp, Cab simulations, Microphone type and distance, EQ, midi control and loading & editing of 3rd party IR files.
The Cab box makes everything about recording or performing so much easier and authentic with a massive array of adjustable parameters to achieve the custom guitar set up of your choice.
The JOYO Cab Box has a straightforward and user friendly interface that fits on the pedalboard, it offers full configuration and eliminates complex menu options found on amps, tablets and computers.
The sound of vintage and modern amps is at your feet.
The JOYO Cab box features
- 4 tube power amps – select and edit the tube parameter, Select tubes from 6L6,6V6,EL34 or EL84
- 20 cabinet models (see below)
- 11 classic microphone models – adjusting microphone model, microphone type, microphone angle position & distance.
- 3 fully configurable post EQs for guitar, bass & parametric. With settings for Gain & Attentuation, Q value, Low & High Pass filtering. The 5 band EQ is fully customisable, setting the 5 bands from 80hz to 11khz and level adjustments as required for each.
- 20 preset IR loading and an additional 10 loading memory banks for third party IR.
- 128 cab memory slots to save all of your presets.
An IR is an impulse response (IR, for short) its a sound measurement that takes into account the conditions around a guitar cabinet speaker, including the room, microphone and mic preamp. The JOYO Cab box works with third party IR files, simply connect to the pc/mac via USB for IR loading using the JOYO Cab software.
With the JOYO Cab Box IR loader, in addition to 20 preset saving locations, you can store 10 additional third party IRs, Using the software you can load or delete third party IRs and then apply these to the Cab box emulation.
IR sampling info:
- IR file format: .wav
- Sampling accuracy: 24bit
- (supports 16/24/32 bits third party IR files)
- Sample rate: 44.1kHz
- Sample’s length:1024pts
The JOYO CAB BOX has many parameters to adjust, a large display screen, easy control buttons and sits nicely on the pedalboard. It is perfect on the board for performing, at the recording desk, mixer/pa or even at home using direct with headphones.
Inside the JOYO you will find cab boxes inspired by world class vintage and modern Cabinet speakers amps:
- Vibro Silver 1×8
- Prince Reverb 1×10
- 57 Tweed 1×12
- AC15 1×12
- 67 Twin 2×12
- Madchless 2×12
- AC30 Blue 2×12
- 64 Super 4×10
- Bass Bigman 4×10
- 1960A Green 4×12
- 1960B V 30 4×12
- Juice PPC 4×12
- Sodano L 4×12
- Recto MB S 4×12
- Recto MB T 4×12
- Die2al V30 4×12
- Die2al G12 4×12
- Ampg SVT 1×15
- Ampg SVT 4×10
- Ampg SVT 8×10
Microphones with distance and angle adjustment
Power Amp Tube Valves – Adjust input, presence and output.
- 6L6
- 6V6
- EL34
- EL84
Control buttons: Master Volume, Parameter Select, Power Amp, Cab/Mic, EQ, SAVE, HOME, LED Toggle
Specifications:
