Dunlop MXR M101 Phase 90 Phaser Pedal
For more than four decades, the MXR Phase 90 has been a mainstay on the pedal boards of millions of players around the globe. This little orange box went on to become the sole icon of its effect category, and countless legendary riffs have benefitted from the sonic qualities of this pedal. No matter the genre or instrument, the Phase 90 has been there through it all to add its distinctly lush voice to a musician’s tone palette. With the twist of the Rate knob, you can take the Phase 90’s warm modulation from subtle, spatial shimmer to all-out high velocity swooshing.
Power: Dunlop ECB-003 AC Adapter or Single 9-volt battery
Controls: Footswitch toggles effect on/bypass ( red LED indicates on)
Speed knob varies rate of phase sweep
https://youtu.be/OJfFt2i2Yd4
Dunlop MXR® M169 Carbon Copy® Analog Delay
The Carbon Copy Analog Delay delivers rich, warm bucket-bridgade delay with up to 600ms of delay time and modulation.
14 x 6.4 x 11.4 cm
This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).
https://youtu.be/ZU0ct39DeBI
Dunlop MXR® M300 Reverb Effect Pedal
The MXR Reverb delivers six distinct high end reverb styles, each exquisitely crafted and tuned by the award-winning MXR design team. It all comes in a standard-sized MXR box with a simple three-knob setup and a hi-fi analog dry path with a massive 20 volts of headroom thanks to Constant Headroom Technology™. Each reverb style is as richly detailed as any found in the highest-end rack units and plug-ins, and all you have to do to step through them is push the Tone knob. The PLATE setting provides a shimmering smooth wash of space that’s a go-to choice from the studio recording world. SPRING sets a new standard for truly authentic sounding reverb without coiled metal-a perfect recreation of the classic amp-based effect, with the Tone control taking you from dark vintage amp spring, through classic jangle, to bright surfy splatter. EPIC is a unique combination of multiple interwoven analog-tone delay lines and complex modulation-perfect for solos from that more shaded part of the lunar landscape. MOD throws down a plate-flavored spaciousness with richly organic modulation in the feedback path. The ROOM style adds subtle body and projection to your guitar tone at shorter decay times while longer decay times yield rich organic space that doesn’t wash out. PAD closes out the line-up with a unique combination of sub-octave + octave-up with echoes + shimmer + synth/organ modulation + reverb. Connect a Dunlop DVP series volume/expression pedal to the expression jack to toggle and blend between two different knob setting configurations. The Reverb includes 100% wet mode, stereo input and output capability, and true relay or trails bypass.
Six meticulously crafted reverbs in one pedal
Dry path is 100% analog
Relay true bypass and delay trails modes
14.6 x 6.4 x 12.1 cm
https://youtu.be/LAeWwMC2EaIc
Dunlop MXR® M104 Distortion+ Guitar Pedal
MXR® DISTORTION+
M104
The Distortion+ delivers everything from cool overdriven blues tones to huge ’80s hard rock distortion.
THE LONG STORY
This little yellow box is responsible for those great distortion sounds heard on so many classic recordings. Set the Distortion control low and crank the Output knob to drive the front end of your amp for cool blues tones, or max out the Distortion knob for classic early ’80s hard rock tone. There still isn’t any distortion unit on the market that sounds like the Distortion+.
This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).
https://youtu.be/2GLMhHthq3M
Dunlop M68 Uni-Vibe Chorus / Vibrato Pedal
If you listen to classic rock, then you’ve heard the wonderful and awe-inspiring sound of he Uni-Vibe Chorus/Vibrato. It’s one of the most iconic effects in music history and that’s not an exaggeration. Since the late ™60s, players pushing the limits of the guitar have used it to blow minds and reconfigure the tonal and textural palette of music. The geniuses over at MXR have just remastered the classic effect for today’s guitarist but in a smaller footprint while maintaining all of the gorgeously chewy, Leslie-sounding goodness. With its simple three-knob interface, you can dial up the sound to your liking without problems. First, use the VIBE switch to select either Chorus Mode”dry signal mixed with pitch-shifted signal”or Vibrato Mode”only pitch-shifted signal. Then, use the LEVEL control to set the effect volume, the SPEED control to set the sweep rate, and the DEPTH control to set overall intensity. The Uni-Vibe comes in a Phase 90-sized housing”a fraction of the size and weight of the original Uni-Vibe pedal”and features true bypass switching. Perfect for hitting the road with lush, swirly madness.
- Take your chorus effect from subtle to extreme
- Much more pedalboard-friendly than the original
- Maintain your tone with true bypass switching
- Iconic Chorus/Vibrato true to the classic late ’60s tone
- Simple three-knob interface
- True bypass
Dunlop MXR M267 Octavio Fuzz
Made famous by Jimi Hendrix, the Octavio Fuzz and its touch-responsive octave-up saturation continue to be employed by modern players, from straight-up rockers to low ’n’ slow doomsayers. For the first time ever, that iconic effect has joined the MXR standard line. The layout is as simple as it ever has been—just set the Output and Fuzz controls to your desired volume and intensity, and allow your picking and plucking dynamics to coax out the pedal’s legendarily searing, synth-like tones. Explore the furthest reaches of silicon saturation in a trusted vessel. Get yourself an MXR Octavio Fuzz.
Pigtronix BWP Bob Weir’s Real Deal Acoustic Preamp Pedal
Bob Weir’s Real Deal acoustic preamp by Pigtronix provides crystal-clear, super-loud acoustic guitar tone while faithfully maintaining the organic wooden sound of the instrument like no other pedal has ever done.
FEATURES
– Single (TS) or Dual-Source (TRS) input
– Balanced (TRS) Input for External Mic
– Low-noise 24db / octave optical filters
– Crossover sweeps from 300Hz to 3kHz
– 60db Gain on Microphone channel
Phantom Power & Phase Inversion
18VDC Power Supply Included
Dunlop MXR® M303 CLONE LOOPER™ PEDAL
The MXR Clone Looper Pedal is highly engineered for incredible sound quality, comes packed with features in a pedalboard-friendly housing, and can be as simple or complex as your needs dictate. Everything you expect from an MXR pedal, in other words. Whether you’re practicing at home, captivating audiences with improv compositions onstage, or weaving intricate sonic tapestries in the studio, the Clone Looper Pedal has you covered. Just plug in, power up, and start recording an unlimited number of layers—up to 6 minutes long—that will be stored even when the pedal is off. A super convenient LED gives you a flashing 4 count to the beginning of the loop so you can keep your overdubs tight. Loops can be stopped and started in an instant, and your most recent layer can be undone just as fast. Run effects to your heart’s content—with storage sample rates up to 88.2kHz, so this little box will handle even high-gain distortion with ease. To keep your pre-loop signal intact, the MXR team also included an analog through-path. On top of that, the Clone Looper Pedal can be set for either buffered bypass or true bypass switching to accommodate your tone and signal needs. The Clone Looper Pedal also comes packed with options for sonic explorers, from changing up the speed of your loop—to double-speed (3 minutes of recording time) or half-speed (12 minutes)—to reversing it entirely. Connecting an MXR Tap Tempo Switch to the CTR jack allows you to control all of these functions externally. The EXP jack provides further external control options when you connect a DVP volume pedal to adjust the loop’s output level or an MXR Tap Tempo Switch to engage Play Loop Once mode, which allows you to pull off smooth live performances and re-trigger your loop over and over again for DJ-style stutter effects. Pedalboard-friendly and built like a tank, the Clone Looper Pedal is easier to use and delivers higher fidelity signal reproduction than any other looper of its type—hands down.
Orange Fur Coat Vintage Fuzz w/Adjustable Octave
VINTAGE FUZZ
Loosely based on the vintage Foxx Tone Machine, the Orange Fur Coat Fuzz takes its inspiration from the great fuzz pedals of the 70’s.
The Fur Coat gives you a fully controllable octave fuzz pedal. Separate switches mean you can choose between Fuzz or Octave Fuzz. The controllable Octave up fuzz means you can bring in the fuzz to whatever level you need and the EQ allows you to boost your Treble or Bass. This truly is a fuzz you control.
This is our only True Bypass pedal. This is because a Fuzz is better at the beginning of the chain where it interacts directly with your guitar. Placing the pedal further into your signal chain or after a buffer will give the fuzz a more distorted tone.
VINTAGE FUZZ:
The Orange Fur Coat fuzz can be used into a clean amp or an amp with some hair. When used into an overdriven amp, it creates a unique, thick “fur coat” of vintage fuzz.
ADJUSTABLE OCTAVE:
Something quite rare, rather than simply being able to switch it on/off, the Fur Coat adds octave up as you increase the octave control.
LOW POWER CONSUMPTION:
The Orange Fur Coat fuzz draws very little current (much less than 10mA) allowing for long battery life. Use a regulated 9-12V DC centre-negative power supply.
CONTROLS (LEFT TO RIGHT):
VOLUME, EQ, OCTAVE, FUZZ
CURRENT DRAW:
9V: 3MA
12V: 5MA
STOMP FUNCTIONS:
ACTIVATE OCTAVE, ACTIVATE FUZZ
UNBOXED DIMENSIONS (W X L X H):
9.5 × 6.5 × 13CM (3.7 X 2.6 X 5.1″)
UNBOXED WEIGHT:
524G (1.15 LBS)
BOXED DIMENSIONS (W X L X H):
11.4CM X 14.8CM X 8CM
BOXED WEIGHT:
722G (1.59LB)
Joyo JF-328 Nebulous Phase Mini Guitar Effect Pedal
JOYO JF-328 Nebulous Phase mini Guitar Effect Pedal
The JOYO JF-328 Nebulous Phase mini Guitar Effect Pedal has landed and what a JOY-o it has been trying it out.
The nebulous phaser splits the audio signal into 2 separate paths. One is unaffected while the other passes through 4 all pass filters and a LFO (Low Frequency Oscillator), these two signals are then mixed back together. As the Nebulous has 4 of these all pass filter it makes it a 4stage phaser, just like a certain orange ancestor ;). The phase filters the guitar signal by creating a series of peaks and troughs in the frequency spectrum. The position of the peaks and troughs of the waveform being affected is then modulated, adjusting speed, width and feedback. The phase effect varies over different times, adjusting the phase width (the gap between the peaks), creates a sweeping effect that can sometimes be confused with flanger..
As well as the plethora of 70’s rock, funk and pop recordings, phase is commonly found on 70s keyboards and remains a classic effect. We got great results placing the nebulous phase after the molo tremolo, something oscillating before adjusting the volume. Using the shape shifting molo trem, you will be creating anything from a subtle modulated effect to widen your girth, or something that will take you out of this world..
Listen to Small Faces, Brian May, Radiohead, Eddie Van Halen.
and watch the demo.
Outlaw Dumbleweed D-style Amp Overdrive Pedal
Inspired by one of the most sought-after (and expensive) sounds in rock & roll
Complete, dynamic range of drive tones, from subtle break-up to robust, fuzzy dirt
Gain, Tone and Volume controls let you dial in your drive tone with precision
Voice control adds an extra dimension of control, allowing you to darken or brighten the overall color of your tone
Dunlop JHW1 AUTHENTIC HENDRIX™ ’69 PSYCH SERIES FUZZ FACE® DISTORTION
Jimi Hendrix was a pioneer on the frontier of fuzz, experimenting with numerous flavors and shades throughout his career to imbue his riffs and leads with just the right attitude and texture. The Fuzz Face Distortion, in all of its incarnations, was the fuzz pedal that he used more than any other. The Authentic Hendrix ’69 Psych Series Fuzz Face Distortion captures two different flavors of Jimi Hendrix fuzz tones in a single mini housing with all the appointments today’s players demand. In its default mode, this pedal discharges the aggressive silicon-based crunch that that Jimi Hendrix used in the latter part of his career. Hitting the SI/GE switch engages the warm, smooth saturation of germanium-based fuzz that he used in the early years. This pedal also uses buffered bypassing by default, allowing for a greater range of tones and full cooperation with wah pedals such as the Jimi Hendrix Cry Baby Wah. The tonal purists out there will be happy to know that a Buffer switch allows for true bypass switching. It all comes in an MXR mini housing dressed in the trippy, kaleidoscopic designs of award-winning UK-based design crüe ILOVEDUST.