Cool UT ‘Ultra’ Cool Triangle Pick-Single
As a dynamic microphone, the MV-3 is especially suited for broadcasting, webcasting and recording. It has a smooth and wide frequency response, and the pickup is clear and delicate. The cardioid polar pattern suppresses feedback and isolates the desired sound. It also includes 200Hz low cut and mid-high frequency boost switches, which can improve the sound clarity and presence. Dynamic microphones also record vocals very well, with a bit more of an intimate close up sound. A nice change from the typical large diaphragm condensers usually used. Microphones similar in design have also become the latest rage for live vocal microphones. MV-3 definitely looks the part.
MV-3 is made of a durable metal alloy, increasing durability. This coupled with a proprietary anti-shock device virtually eliminates all mechanical vibration and hand-held noise An integrated windscreen/pop filter is placed outside the grill, effectively filtering out peak noises.
- Dynamic Broadcast Microphone
- Polar Pattern: Cardioid
- Frequency Response: 50Hz-16KHz
- Sensitivity: -58dB(0dB=1V/Pa at 1KHz)
- Impedance: 200Ω（at 1KHz）
- Low Cut Filter: 200 Hz
- Weight 1lb 12 oz
https://youtu.be/4q66pDCSxMA
Cool U0100 ‘Ultra’ Cool Pick Heavy 1.00 gauge-72pc Refill
As a dynamic microphone, the MV-3 is especially suited for broadcasting, webcasting and recording. It has a smooth and wide frequency response, and the pickup is clear and delicate. The cardioid polar pattern suppresses feedback and isolates the desired sound. It also includes 200Hz low cut and mid-high frequency boost switches, which can improve the sound clarity and presence. Dynamic microphones also record vocals very well, with a bit more of an intimate close up sound. A nice change from the typical large diaphragm condensers usually used. Microphones similar in design have also become the latest rage for live vocal microphones. MV-3 definitely looks the part.
MV-3 is made of a durable metal alloy, increasing durability. This coupled with a proprietary anti-shock device virtually eliminates all mechanical vibration and hand-held noise An integrated windscreen/pop filter is placed outside the grill, effectively filtering out peak noises.
- Dynamic Broadcast Microphone
- Polar Pattern: Cardioid
- Frequency Response: 50Hz-16KHz
- Sensitivity: -58dB(0dB=1V/Pa at 1KHz)
- Impedance: 200Ω（at 1KHz）
- Low Cut Filter: 200 Hz
- Weight 1lb 12 oz
https://youtu.be/4q66pDCSxMA
Cool U080 ‘Ultra’ Cool Pick Medium .080 gauge-72pc Refill
As a dynamic microphone, the MV-3 is especially suited for broadcasting, webcasting and recording. It has a smooth and wide frequency response, and the pickup is clear and delicate. The cardioid polar pattern suppresses feedback and isolates the desired sound. It also includes 200Hz low cut and mid-high frequency boost switches, which can improve the sound clarity and presence. Dynamic microphones also record vocals very well, with a bit more of an intimate close up sound. A nice change from the typical large diaphragm condensers usually used. Microphones similar in design have also become the latest rage for live vocal microphones. MV-3 definitely looks the part.
MV-3 is made of a durable metal alloy, increasing durability. This coupled with a proprietary anti-shock device virtually eliminates all mechanical vibration and hand-held noise An integrated windscreen/pop filter is placed outside the grill, effectively filtering out peak noises.
- Dynamic Broadcast Microphone
- Polar Pattern: Cardioid
- Frequency Response: 50Hz-16KHz
- Sensitivity: -58dB(0dB=1V/Pa at 1KHz)
- Impedance: 200Ω（at 1KHz）
- Low Cut Filter: 200 Hz
- Weight 1lb 12 oz
https://youtu.be/4q66pDCSxMA
Cool U060 ‘Ultra’ Cool Pick Thin .060 gauge-72pc Refill
As a dynamic microphone, the MV-3 is especially suited for broadcasting, webcasting and recording. It has a smooth and wide frequency response, and the pickup is clear and delicate. The cardioid polar pattern suppresses feedback and isolates the desired sound. It also includes 200Hz low cut and mid-high frequency boost switches, which can improve the sound clarity and presence. Dynamic microphones also record vocals very well, with a bit more of an intimate close up sound. A nice change from the typical large diaphragm condensers usually used. Microphones similar in design have also become the latest rage for live vocal microphones. MV-3 definitely looks the part.
MV-3 is made of a durable metal alloy, increasing durability. This coupled with a proprietary anti-shock device virtually eliminates all mechanical vibration and hand-held noise An integrated windscreen/pop filter is placed outside the grill, effectively filtering out peak noises.
- Dynamic Broadcast Microphone
- Polar Pattern: Cardioid
- Frequency Response: 50Hz-16KHz
- Sensitivity: -58dB(0dB=1V/Pa at 1KHz)
- Impedance: 200Ω（at 1KHz）
- Low Cut Filter: 200 Hz
- Weight 1lb 12 oz
https://youtu.be/4q66pDCSxMA
COOL ‘Stealth’ Pick WITH “ COMFORT ZONE ACCU-GRIP™ -Medium ST080-72pc Refill
Project Description
WITH A “COOLCELL RUBBERIZED GRIP ™
100% CELLULOID AND THE DISPLAY COMES WITH 300 PICKS
ACROSS THE 3 MOST POPULAR GAUGES.
0.50, 0.75, 1.00
COOLCELL® RUBBERIZED ACCU-GRIP PICK ™
For many years, celluloid has been the choice of guitarists worldwide. Most have used them in a dark tortoise shell color with a popular guitar manufacturer’s logo on it. Our COOLCELLpicks are made of 100% celluloid in a white mother of pearl shell coloring. Our goal was to make a celluloid pick which would offer the guitarist as much gripping power
as they need at any time during a performance. Not too little, not too much, but just enough without getting in the way.
We at cool music know that no two guitarists are alike and that is why the revolutionary COOLCELL Rubberized Accu-Grip™ pick was created. It is truly a smart guitar pick. This pick design actually will change its gripping texture to give the dry, wet, or even slimy fingered guitarist the proper grip at all times. No matter how bad your flop-sweat or nerves on that special gig may be, you will not lose your pick while playing those super fast cool lead lines.
If you are now playing another celluloid pick, you owe it to yourself to… “TRY THIS PICK”!!!
It is important for you to realize that this pick will actually change its feel dynamically as you need it! While you play!
That is, if you start playing dry and end your song or set with moist fingers the pick will get grippier as you need it.
Now that’s cool!
The Secret:
This pick’s texture is a micro-porous and slightly nubby heat sensitive rubberized compound. This patented compound mixture is applied to the pick using a special cryogenic process. This application process allows the COOLCELL™ pick to successfully morph from a very smooth slightly nubby surface (cool environments) to a very grippy softer and stickier grip (hot or wet environments) This cryo- process allows the pick to continue to change from hot to cold and back again without distorting the nubby texture or compromising the overall sound of the pick.
Evans S14R50 Clear 500 Snare Side Head – 14”
Evans snare side clear 500 heads feature a single ply of 5mil film and are designed to produce a dark, throaty sound that is best suited for deep drums or heavy rock performances. Evans Level 360 technology is incorporated to extend the level playing surface of the drumhead, 360 degrees around the drum. The vertically enhanced collar design guarantees even contact with the critical bearing edge of the drum shell, resulting in: ease of tuning, extended pitch range and optimum quality of sound. Evans Level 360 technology resolves the age-old dilemma of traditional synthetic heads consistently not fitting the drum shell without using considerable force.
– 14 glass (clear) snare resonant drum head made using a single ply of 5mil film
– 5mil head offers great snare response at high dynamic levels
– Best suited for deep drums or heavy rock performances
– Also available in 13
– All Evans drum heads are designed, engineered and manufactured in the USA
Cool COOLJTR-T Juratex Pick Triangle Shape w/Sand Grip-Single
As a dynamic microphone, the MV-3 is especially suited for broadcasting, webcasting and recording. It has a smooth and wide frequency response, and the pickup is clear and delicate. The cardioid polar pattern suppresses feedback and isolates the desired sound. It also includes 200Hz low cut and mid-high frequency boost switches, which can improve the sound clarity and presence. Dynamic microphones also record vocals very well, with a bit more of an intimate close up sound. A nice change from the typical large diaphragm condensers usually used. Microphones similar in design have also become the latest rage for live vocal microphones. MV-3 definitely looks the part.
MV-3 is made of a durable metal alloy, increasing durability. This coupled with a proprietary anti-shock device virtually eliminates all mechanical vibration and hand-held noise An integrated windscreen/pop filter is placed outside the grill, effectively filtering out peak noises.
- Dynamic Broadcast Microphone
- Polar Pattern: Cardioid
- Frequency Response: 50Hz-16KHz
- Sensitivity: -58dB(0dB=1V/Pa at 1KHz)
- Impedance: 200Ω（at 1KHz）
- Low Cut Filter: 200 Hz
- Weight 1lb 12 oz
https://youtu.be/4q66pDCSxMA
Laney BCC-SPIRAL Black Country Customs Spiral Array Chorus Pedal
https://youtu.be/K_THCn2bJ5Y
https://youtu.be/xtC6rImobiU
https://youtu.be/QR6JLraUN0o
DETAILS
Heavily compressed distortion/Overdrive Distortion/Soft compressed distortion modes
It is important that when you activate an effect there is no switching noise. So, we take great care in designing a switching system that is totally silent in operation. The only thing you should here is a great sounding product.
Tri coloured LED’s are more expensive than regular single colour LED’s, but we feel they are worth the investment. Where you have a pedal that has multiple modes on a dark stage a tri colour LED gives you a clear visual reference to which mode your pedal is running in.
KEY FEATURES
Low battery consumption
Solid metal chassis construction
3 modes based on classic sounds
Excellent consistent load for passive Volume pedals
Laney GS212IE GS Series 160-Watt 2×12″ Guitar Speaker Cabinet
INTRICATE VINTAGE TONE
This open backed 2 x 12 Cabinet is lightweight and easy to transport and makes an ideal partner for any Laney guitar head. This cabinet delivers pure vintage tone in a small format and can be used in either landscape or portrait and is the perfect partner to the CUB-SUPERTOP. At the heart of the cab are 2 custom voiced HH drivers. These drivers feature enormously detailed and complex overtones, a warm low-end, a rich vocal mid-range and a beautifully detailed top-end. Used to reveal the complexities in the CUP-SUPERTOP this cabinet delivers a wonderfully intricate vintage 3D tone.
DETAILS
Portrait or Landscape
Loaded with 2 x 12 HH Drivers
Input jack & Link jack
KEY FEATURES
Lightweight & portable
Open backed for open mids
Ideal partner for a small tube head
Vintage boutique design
8 Ohm Impedance
SPECIFICATIONS
Item dimensions: 430mm x 700mm x 230mm (HWD)
Carton dimensions: 520mm x 785mm x 310mm (HWD)
Item weight: 14.5kg
Hagstrom HJ800-VSB 6 String Hollow Body HJ 800 Model Electric Guitar in Vintage Sunburst
With a relatively thin 1¼” (3.5cm) body, the Fantomen is beautifully balanced and surprisingly lightweight. A 25.5” (648mm) scale provides a slightly sharper attack amd more sustain than classic 24.75” scale guitars. A neck joint design that provides total, unrestricted access to all 22 frets will meet the needs of even the most virtuosic player.The goal was to equip the Fantomen with electronics that would allow for a varied tonal pallet ranging from classic, vintage colors to screaming metallic brilliance. Hagstrom worked with Swedish pickup guru Johan Lundgren, designer of pickups used by artists such as Meshuggah’s Martin Hagström (no relation!). Lundgren recommended two different humbucker designs: No. 2 in the neck position and No. 5 in the bridge position. The result covers an immense expressive range; from smooth, warm tones to the kind of attack and intense dynamic output that would satisfy the demands of even the most extreme musical styles. Each pickup can be split to single-coil mode by means of push/pull switches incorporated into the tone controls for even more sonic flexibility. This guitar speaks with many distinct voices.
Single Cutaway – Asymettrical Design
All Mahogany Construction
Multi-Ply Binding
Set Neck – Mahogany – Slim “D” Profile
H-Expander™ Truss Rod
Multi-Ply Binding
Resinator™ Fingerboard / 25.5” (648mm) Scale Length
Pearloid Block Inlays
22 Medium Jumbo Frets / 15” Radius
GraphTech Black Tusq XL Nut / 43mm
Lundgren Design AlNiCo-2 No. 2 Humbucker – Neck Position
Lundgren Design AlNiCo-5 No. 5 Humbucker – Bridge Position
3-Way Toggle Switch Pickup Selector
2 x Volume Control with R/C Circuit
2 x Tone Control with Push-Pull Coil Split
Long Throw Tune-O-Matic Bridge with Stop Tail Piece
Hagstrom 18:1 Chrome Die Cast Tuners
D’Addario (10-46) Strings
Optional (not included): C-47 Case / E-19 Gig-bag
Sabian S1806 18″ Stratus Crash
18” HHX Complex Thin Crash
Catalog ID: 11806XCN
Using trickle down technology gleaned from years of developing some of the world’s top selling cymbals lines like Evolution, Legacy, and even Artisan, SABIAN introduces HHX Complex, a new line of exquisitely dark crash cymbals. The 18” Complex Crash employs a combination of HH and HHX hammering, a raw hammered bell, and a number of the aforementioned proprietary techniques – resulting in one of the richest, sweetest Crash cymbals SABIAN has ever produced. The versatility to easily cross musical styles has always been a hallmark of the HHX line, and the 18” HHX Complex Thin Crash is no exception.
Evans B14HWD Heavyweight Dry Snare Coated Drumhead – 14″
Evans Heavyweight Dry features two plies of 10mil film providing maximum durability, compressed attack, and a wide dynamic range. The 3mil Reverse Dot lends extra durability, focus, and attack in the center. Precision-drilled dry vents further reduce overtones and sustain. Paired along with our patented UV coating, this head is designed for the heaviest of hitters.
For over 60 years, Evans has been an innovator in drumhead manufacturing and design. As the creator of the first synthetic drumhead and other revolutionary products such as EMAD, Hydraulics, and the UV1 series, Evans drumheads are designed with the intent of solving problems for drummers. Regarded for high quality and consistency all Evans drumheads are made in the USA and feature Level 360 Technology.
– 23mil of total thickness and our patented UV-cured coating for maximum durability and consistency
– The reverse dot is mounted on the underside of the head for extra durability, focus and attack without getting in the way of brushes
– The Dry version features small vent holes around the edge that eliminate stray harmonics and tighten the sound
– Exclusive Level 360 Technology collar design ensures proper contact between drum head and drum shell
Evans B14MHG Hybrid Coated Snare Batter Drum Head, 14″
Evans Hybrid Coated snare heads feature a weave of two unique fibers originally intended for use on marching snare drums. The Hybrid can hold up to the heaviest of hitters and offers a unique, coated wear-resistant texture, perfect for brushes and achieving maximum articulation.
For over 60 years, Evans has been an innovator in drumhead manufacturing and design. As the creator of the first synthetic drumhead and other revolutionary products such as EMAD, Hydraulics, and the UV1 series, Evans drumheads are designed with the intent of solving problems for drummers. Regarded for high quality and consistency all Evans drumheads are made in the USA and feature Level 360 Technology.
– 14 drum head with extreme durability
– Head construction can withstand even the heaviest of hitters
– Woven textured surface is an ideal match for brush players seeking maximum articulation
– Intended for use on drum set snare drums
– All Evans drum heads are designed, engineered and manufactured in the USA
D’Addario XLB090 Nickel Wound Bass Guitar Single String, Long Scale, .090
Perfect replacement strings for creating custom sets. Part of the D’Addario XL Nickel Wound string series.
D’Addario XL Nickel Wound Electric Bass strings are world-renowned as The Player’s Choice amongst bass players of all genres and styles. All XL strings are precision wound on our exclusive digitally-controlled machines, ensuring each string has excellent intonation, clear fundamentals, and unparalleled consistency. Each string is wound with a nickelplated steel wrap wire known for distinctive bright tone with excellent magnetic output delivering a universally appealing and versatile tone for all playing styles.
– .090 gauge nickel wound bass guitar string
– Round wound with nickelplated steel for a distinctive bright tone with clear fundamentals
– Fits long scale basses with a string scale length of up to 36 1/4 inches
– Perfect for replacement string or customized sets
– Made in the U.S.A. for the highest quality and performance
D’addario EXL156 Fender Bass VI Electric Guitar Strings
XL Nickel Wound electric guitar strings are the standard against which all other strings are measured. Our best-belling electric set, XL Nickel has been revered by players everywhere since 1974. Made with a high carbon steel core and nickel-plated steel wrap wire, XL Nickel strings have a bright, versatile tone, ideal for a wide variety of musical styles. This 24-84 set is custom made for the Fender Bass VI.
XL Nickel Wound, D’Addario’s most popular electric guitar strings, are precision wound with nickel-plated steel onto a carefully drawn, hexagonally shaped, high carbon steel core. The result is strings with long lasting, distinctive bright tone and excellent intonation, ideal for the widest variety of guitars and musical styles.