Mackie 802VLZ4 8-channel Ultra Compact Mixer
Mackie relentlessly pursues the perfection of the compact mixer. VLZ4 ups the level of sonic quality at every level, featuring Mackie’s flagship Onyx mic preamps and premium components from front to back. The result is the most rock solid, the most easy to use and, yes, the best sounding compact mixer ever created.
NO-NONSENSE
COMPACT MIXER SERIES
Now featuring Mackie’s flagship Onyx mic preamps, the comprehensive Mackie VLZ4 line delivers the proven feature set, high-headroom/low-noise design and “Built-Like-A-Tank” construction that created an industry more than 25 years ago.
From every input to every output, VLZ4 is optimized to deliver professional-quality results each and every time.
https://www.youtube.com/watch?v=6XxkE-gW1M0
Mackie ONYX16 16-Channel Premium Analog Mixer with Multi-Track USB recording
Incredible sound quality, multitrack recording, and professional built-in effects make Onyx Premium Analog Mixers with USB the ultimate compact, affordable solution for live audio, home recording, and content creation.
SOUND AND VERSATILITY
If there’s one thing Mackie engineers can do in their sleep, it’s design a mixer that sounds great, is easy to use, and is packed with flexible features. Sounds pretty good right? So if you mix live sound, record in your home studio, or live stream, this is the heart of your audio.
- Ultra-clean, low-noise performance
- High-headroom Onyx mic preamps with up to 60dB of gain
- Full multi-track recording via USB at up to 24-Bit / 96 kHz quality
- Record a stereo mix direct to an SD card plus playback music files
- Professional, customizable built-in effects
- Onyx Studio Command – Full-color display makes FX control and SD card management easy
- Perkins “British Style” EQ offers classic sounds of the 60’s and 70’s with modern performance and accuracy
- Stream music directly into a channel via Bluetooth®
https://youtu.be/10nJ3TEVrrg
Shure GLXD24/SM58 Digital Wireless Vocal Microphone System with SM58 Vocal Microphone
The GLXD24/SM58 Wireless Vocal System with SM58, an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction combines automatic frequency management with true digital diversity for a rock-solid wireless signal with exceptional digital audio clarity.
PrimeCables® PC-S400e-b Premium 3.5mm Stereo Male to 3.5mm Stereo Female Extension Cable – Black – 6ft
o extend a 3.5mm stereo cable for headphone, earphone, earbud or any other 3.5mm stereo connection
Denon DN-508S 3-way Tri-Amplified Loudspeakers
The DN-508S is a compact 3-way tri-amplified speaker capable of exceptionally high performance, suitable for a variety of roles. It is ideal for situations where no-compromise acoustic performance is needed, but where complicated setups and elaborate stacks of external equipment are not feasible or possible. It features studio-grade acoustics, luxurious aesthetics, and innovative proximity controls for flexible placement options.
Top Shelf Components
The 220-watt DN-508S provides clear, dynamic sound reproduction for mid- and small-size meeting and presentation spaces. Combining 1-inch silk dome tweeter, a 5-inch woven Kevlar® midrange unit, and an 8-inch woven Kevlar® woofer, it offers a dynamic, wide-range frequency response, even exceeding the performance of speakers found in world-class recording studios.
Well-designed 3-way speakers—like the DN-508S—use a custom high-quality midrange driver specifically intended to cover the critical middle frequencies. Most of the everyday sounds we hear—voices, instruments like saxophone and guitar, naturally-occurring sounds like handclaps, footsteps and slamming doors—are midrange frequencies. Having a driver specifically dedicated to their reproduction maximizes clarity and detail, ideal for situations requiring exceptional speech intelligibility.
The midrange and tweeter are mounted in line with each other (the tweeter is mounted at the apex of the midrange) at precisely the same point in space. Doing so means the sound of the two drivers integrates perfectly, without the audibly-distracting time/arrival distortion of widely-spaced drive units. Instead, our in-line driver design propagates its output in a seamless, uninterrupted time envelope, markedly improving definition and clarity.
A fortuitous by-product of the in-line midrange/tweeter array is that the speaker’s cabinet is no larger than that of a conventional 2-way speaker.
The woofers and midrange are made of Kevlar®. This is an ideal driver diaphragm material: Incredibly strong, stiff and light (it’s even used in military body armor). It provides an incredibly fast transient attack, excellent sensitivity and great resistance to cone flexing and resonant breakup at high power levels.
The dome tweeter uses Ferro-fluid voice coil cooling for added reliability at high power inputs, and Its woven-silk diaphragm imparts virtually no harshness or “listening fatigue” at any SPL, as is often the case with less sophisticated tweeters.
Additionally, a concave integrated tweeter waveguide in front of the midrange cone precisely focuses and directs the treble energy into the listening field, ensuring a solid and stable sonic image while minimizing the random acoustic “scatter” that would otherwise cause the acoustic image to be unfocused and indistinct.
Finally, close attention was paid to the cabinet. It’s radiused at the edges to aid in dispersion and reduce audibly-destructive edge diffraction. The cabinet’s internal bracing has been optimized to ensure that the drivers have a solid, vibration-free platform from which to launch their sound, using computer calculations to determine the woofer port’s characteristics for the best possible bass response.
High-Powered Internal Amplification
Three individual internal amplifiers provide power to each of the three speaker elements. These amplifiers are specifically tailored to the drivers they are matched with, for seamless operation and system synergy that is virtually impossible to equal using bulky, expensive outboard amplifiers and passive speakers.
Smooth-sounding, high-current Class A/B amplification (220 watts total) provides the speaker with ample headroom for even the most demanding situations. The carefully selected crossover points divide the frequency spectrum into very precise bands so that each individual driver only handles the exact frequency range where it is most accurate.
The amplifiers have specialized internal output current limiting circuitry to protect against distortion and overheating, as well as a muting on/off circuit to prevent speaker transient on-off “pops.” There is also a subsonic filter and an external mains fuse. All of this ensures ideal amplifier behavior at all times, without any unpleasant noises or distractions.
Comprehensive Control and Adjustment Capability
The versatile three-band EQ (± 6dB at 100Hz, 1kHz, 10kHz) gives you the flexibility to shape the sound to match your listening environment, without the need for expensive external equalization. The switchable low-cut filter LF cutoff switch (flat, 60Hz, 80Hz) is perfect for tailoring the speakers’ bass response for use with an external subwoofer.
A three-position proximity control adapts each speaker’s bass response for placement next to or away from walls, so its sound is always clear and well-balanced, regardless of its position in the room. Standard VESA mounting holes on the bottom panel of each cabinet expand the user’s placement options from just tabletops and shelves to walls and ceilings. Balanced XLR and ¼-inch (6.3mm) inputs ensure simple connection to common audio sources.
Total Capability
Everything Denon Professional has done in the design of the DN-508S yields a speaker of uncompromised quality, with acoustics suitable for demanding, no-compromise applications and the build quality to deliver that performance year after year.
As a finishing touch, the DN-508S comes with a detachable metal grille framed by an elegant liquid-smoke metallic trim. When powered on, a blue LED assists with placement orientation. The grilles attach to the baffle board by way of hidden neodymium magnets, which ensures a smooth, fastener-free appearance, adding the final refined touch to its sophisticated design.
On-Stage ASMS4730 Isolation shield. Mounts on to standard mic stand. Vented aluminum surround panel with metal frame and 2″ acoustic foam.
Our ASMS4730 Isolation Shield mounts to a standard mic stand and shields a mic from background noise and reflections, improving the mic’s immediate recording environment. The shield adjusts in height and distance from the mic to facilitate effective positioning. For ease of transportation, the shield is solidly constructed from durable yet light-weight materials.
On-Stage MY320 Condenser Shock Mount Microphone Clip
Designed to reduce the effects of low-end rumble and floor vibrations, our MY320 Shock-Mount Condenser Mic Clip features a shock-absorbent rubber bridge between the connector and the grip. The slip-free rubber grip flexes to fit small-diaphragm condenser mics of various sizes and provides an additional layer of shock-absorption.
Application Shock absorbent mic clip for condenser microphones
Diameter 20 mm
Color Black
TouchMix-30 Pro 32-Channel Professional Digital Mixer
TouchMix is quite simply the most powerful, compact mixer ever created. It offers the features, capabilities and sound quality of the world’s most esteemed large format consoles in a highly compact and portable package that’s small enough to be carry-on luggage. Perfect for musicians, larger bands, AV production professionals and performance venues, the TouchMix-30 Pro goes “Beyond Mixing” by offering Wizards, Presets and other beneficial tools that help seasoned audio professionals and novices alike get great results quickly and easily.
Its 32 mixing channels (24 Mic/Line, 6 Line, Stereo USB) and 16 outputs offer tremendous signal management flexibility for a wide range of applications. Advanced features such as class-A microphone preamps, Anti-Feedback and Room Tuning Wizards, two real-time analyzers (RTA), patch matrix, 32-channel direct-to-external-drive recording and DAW interface with MacOS® and Windows® computers make it equally competent as both a professional live sound and a recording tool.
The touch-and-turn interface of TouchMix allows for tactile control over fader and mixer parameters while also providing a hardware connection to mixer functions. Mixer functions and displays are duplicated via iOS or Android devices over Wi-Fi, providing both portable, wireless connectivity as well as additional control surfaces of mixer functionality.
With firmware version 2.0, TouchMix-30 Pro now supports 3 custom fader banks of 8 channels each, allowing versatile, personalized channel display for the most demanding users and applications. This latest firmware version also gives the TouchMix-30 Pro the capability to interface with select third party control surfaces with motorized faders using Mackie Control Protocol. Two modes of operation exist: TouchMix-30 Pro mixer wired to the control surface, or iOS tablet paired with the control surface and connected to the TouchMix-30 Pro mixer via Wi-Fi. The complementary new channel strips display presents controls and indicators for the selected fader group.
Key features include:
- Large (10-inch) multi-touch touchscreen offers a wealth of on-screen information while also providing confident hands-on control
- Anti-Feedback and Room Tuning Wizards simplify complex equalization tasks
- Two real-time analyzers (RTA) provide instantaneous display of channel tonal balance and room response
- Touch-and-route patch matrix provide easy “multing” and rearrangement of inputs
- 14 Aux mixes provide ample monitor configuration options
- Eight sub-groups with 6-band full parametric EQ, variable high- and low-pass filters and limiter may be linked for stereo
- A gain sharing Automatic Microphone Mixer is available for all 24 mic/line input channels
- 32-channel direct-to-hard drive record/playback — capture and recall performances without the need for an external computer
- 32-channel DAW interface with macOS® and Windows® computers allows for bidirectional I/O with popular workstation software
- MP3 playback direct from USB
- Download future upgrades directly from the Internet
CAD U49 USB Side Address Studio Microphone
The u49 side address studio mic delivers high fidelity performance for your next creative project. Equipped with a true studio grade capsule, headphone monitor, mic volume and echo signal processing – The u49 delivers smooth, articulate audio reproduction. Outfitted with a tripod stand, mounting clip, USB cable and windscreen.
- Large Format Design
- High Sensitivity Studio Condenser Capsule
- Smooth and Articulate Reproduction
- Cardioid Pattern Resists Room Noise
- High Power Headphone Monitor
- Echo Signal Processing
- Includes Tripod Stand, Mounting Clip, USB cable and Windscreen
- 2 Year Warranty
- Polar Pattern Cardioid
- Frequency Response 20Hz – 20kHz
- Sensitivity -43dB
- Max SPL 124dB
- Headphone Output 125mW
Shure BETA56A Snare/Tom Microphone
Snare and tom microphone for close miking. Equipped with shock mount for sound isolation, it features a dynamic locking stand adapter for simple set-up, a steel mesh grille for durability, and a neodymium magnet for high signal-to-noise ratio.
CAD D80 Side Address Large Diaphragm Cardiod Dynamic Cabinet/Percussion Microphone
The CADLive: D80 represents a durable, easy to place design possessing a unique sound profile. Used individually the CADLive D80 may be used to create the custom sound you wish from your guitar cabinets and percussion. D80 is a Large Diaphragm Moving Coil Dynamic that delivers a reminiscent, yet updated sound profile you would look for in a dynamic microphone. The D80 has a tight Super-Cardioiod polar pattern while supplying a hot output — ensuring outstanding performance on even the loudest stages.
WeissKlang V17 Large Diaphram Condenser Microphone
The WeissKlang V17 combines reliable characteristics with an uncompromising sound and is equipped with the newest technology. It’s very versatile and perfect for all demanding applications in professional recording environments.
The V17 utilizes a discrete semiconductor circuit with superior acoustic qualities, an excellent resolution and the highest sound pressure level transmission.
With a self-noise of <8 dB-A it’s very low-noise and offers a high dynamic range.
TransHarmonic™ provides both the sonic properties of tubes and the technical properties of transistors (self-noise, dynamic range, resolution).
The newly developed and patented TransHarmonic™ technology produces subtle and harmonic overtones, which contribute to the great resolution and the musical sound of V17 – and this without the use of tubes.
The overall tone gets an unmatched three-dimensionality with full low and mid-range frequencies as well as smooth high frequencies.
The new WMK-17 capsule is gold-sputtered, least sensitive at the rear (cardioid) and edge-terminated. The frequency range of 20 – 20.000 Hz allows an optimal recording of extremely low (and high) frequencies.
The frequency response is flat with a subtle and balanced high-frequency lift from 2 kHz. Therefore the capsule captures even the finest details and works with an excellent impulse response.
The circuit and the capsule are matched, in order to get the best possible acoustic properties.
Timeless and simple
The low-resonance body of V17 is made of copper and aluminium.
The slightly roughened and powder-coated surface is very resistant and durable.
The wire mesh headgrille protects the capsule from interferences and plosive sounds.
The included MA-1 shock mount isolates the microphone from physical vibration, floor and stand noise. The low frequency absorption goes up to 18 dB.
Equipped with a soft foam layer the MA-1 provides a stable and fast mounting with adjustable angle.
The flexible rubber bands offer an ideal isolation and are replaceable.
SPECIFICATIONS
Laney AH300 AudioHub Multi Input Amplifier-15″ PA Speaker
All instruments welcome
The AH300 multi-input combo features 5 channels, 5-band graphic master EQ and Digital Delay and is designed to cater for a wide number of different instruments. Ideal for duo’s and medium sized gigs, or for bigger gigs it can be used as a personal monitor on stage! Its compact design is great for small stages and makes it easy to transport around. The AH300 delivers optimum performance, flexibility and sound quality for a wide array of audio inputs: Keyboards, E-drums, mics, acoustic and electric instruments and playback are all at home with the AH300 The principle behind the AH300 is simple: ALL INSTRUMENTS WELCOME!
DETAILS
FX loops are important as they allow you to add effects to the signal path in a specific place between the pre-amp and the output section on an amplifier. This is where FX loops are important as it allows you to put time-based FX after the distorted pre-amp section. For example, delayed distortion sounds different to distorted delay – try it.
The amplifier can be used in two orientations depending on the requirements. Rather than being used in the conventional upright mode, If the amplifier is to be used up close to the player, then the amplifier can be used in a “kicked back” orientation, meaning that the amps output is directed more towards a player’s ears.
Headphones socket with level control
The onboard digital effects have been custom designed by Laney. You have a choice of Reverb, Chorus, and Multi FX. Reverb positions have a variety of decay times from Plate through Rooms to Hall. Chorus positions have a various of Lengths/Delays & Multi FX have a different blend of Reverb/Chorus/Delay on each effects option.
KEY FEATURES
1 x 15” Custom woofer & HF Horn
XLR, jack and mini jack inputs
Line in
Line out
Master 5 Band Graphic EQ
Kick back format for personal monitoring
Great for gigs – 300 Watts
5 Channels – all instruments welcome
On-board Effects
FS1-MINI sold as accessory
FX Loop – insert type
https://youtu.be/c-R-bpVMuDs
JBL EON ONE COMPACT All-In-One Rechargeable Personal PA
The EON ONE Compact may be small enough to carry in one hand, but its sound is big enough to fill the room. You’ll be amazed at the 112 decibels of rich, crystal-clear sound produced across the entire range of this ultra-compact system, with deep, uncompressed bass even at high output levels. Its 8-inch woofer extends low-end response to 37.5 Hz—nearly an octave lower than other PAs in its class.
With your loudspeaker, amp, mixer, and effects all rolled up in one easy-to-carry package, you’ll lighten your load-in while maximizing the value of your gear investment.
Play more sets or teach more classes, confident in EON ONE Compact’s 12-hour battery life. Swap out batteries in seconds—no tools necessary—and quick-charge batteries in just 2.5 hours. You can even charge while the system is in use. (Additional batteries available separately.)
The EON ONE Compact offers more inputs than any system in its class. Two XLR/TRS combo jacks, one 1/4-inch hi-Z guitar input and one 1/8-inch aux input connect microphones, line-level instruments and audio playback sources; phantom power supports condenser microphones, and pro-grade preamps deliver full, rich sound from any microphone. Plus, a 1/4-inch passthrough lets you expand your system with additional EON ONE Compact units. Use the built-in headphone jack to rehearse privately or dial in presets before performances. Two high-power USB 3.0 ports allow high-speed charging of tablets, phones and select DJ devices.
For enhanced freedom and control, the JBL Compact Connect App allows you to control and stream Bluetooth audio to up to four EON ONE Compact speakers directly from your iOS or Android smartphone or tablet. With Compact Connect, you’ll have free reign over EON ONE Compact’s settings and capabilities, including its four-channel digital mixer, more robust EQ control, Lexicon effects, ducking, saving and recalling presets and much more.